“This elegant mahogany sideboard, made around 1825, embodies the refined taste of the early 19th century. Its sophisticated design and impressive scale speak to its original purpose in a grand dining room, showcasing both craftsmanship and social standing.”
This imposing sideboard, crafted from rich mahogany, immediately conveys a sense of refined elegance and substantiality. Its form, with a central bowed section flanked by two projecting cabinets, is characteristic of the Neoclassical style, a popular aesthetic in the early 19th century. Look closely at the warm, reddish-brown tones of the wood and the subtle variations in grain, which speak to the quality of the materials and the skill of the artisans who shaped them. While its exact origins are unknown, this piece is believed to have been commissioned for Dr. Arthur John Rich and his wife Mary White Wiltbank Rich in Philadelphia, around the time of their marriage in 1825. Such a grand piece of furniture would have been a focal point in a formal dining room, designed to display serving dishes and cutlery, reflecting the family's status and taste.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1825
- Medium
- Mahogany, mahogany veneer, poplar, and eastern white pine
- Location
- Art Institute of Chicago
- Dimensions
- 124.5 × 186.4 × 59.7 cm (49 × 73 3/8 × 23 3/4 in.)
- Collection
- Arts of the Americas
- Culture
- Philadelphia
- Credit line
- Gift of Mrs. Alfred S. Burdick, Alfred T. Carton, Hibbard family heirs, Mrs. Paul B. Magnuson, and the Decorative Arts Purchase Fund of The Art Institute of Chicago
What to Notice
Four details hide in plain sight. Here’s where to look.

The central bowed front, a hallmark of Neoclassical design.
The figured mahogany veneer, chosen for its visual appeal.
The substantial, turned legs supporting the entire structure.
The original brass pulls and escutcheons on the drawers and doors.
Stand in front of it and listen
The full narration walks you through Sideboard — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
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