“Witness the raw power of a 19th-century storm at sea in this dramatic ink drawing. Its energetic lines and tiny figures battling nature capture a thrilling sense of peril and the sublime.”
This dramatic drawing plunges us into the heart of a tempest, where two ships battle towering waves under a tumultuous sky. The artist, Léon-Victor Dupré, renders the scene with a palpable sense of motion and danger, using swift, energetic lines of black ink to define the churning sea and the struggling vessels. Graphite underdrawings suggest the initial chaos, while the ink reinforces the dark, heavy atmosphere of the storm. The relatively small scale of the drawing, on ivory wove paper, intensifies its raw energy, drawing the viewer close to witness the ships' perilous dance with nature. Created in 1830, this work captures a Romantic fascination with the sublime power of the natural world, a common theme among artists of the Barbizon school, with which Dupré was associated.
- Artist
- Léon-Victor Dupré
- Date
- 1830
- Medium
- Pen and black ink, with graphite, on ivory wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 21.9 × 27.7 cm (8 5/8 × 10 15/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- The Leonora Hall Gurley Memorial Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the frantic graphite lines beneath the ink, suggesting the initial sketch.
Notice the two tiny figures clinging to the mast of the ship on the left.
See how the waves are rendered with sharp, almost claw-like forms.
Look at the dark, dense clouds, threatening to engulf the ships.
1 more detail is waiting.
See all 5 in Art Whisper →Léon-Victor Dupré
1816–1879 · FranceLéon-Victor Dupré, a French landscape painter, followed in his brother Jules's footsteps, capturing the quiet beauty of the French countryside.
Further Works by Dupré
The Estuary Farm
1831 · Art Institute of Chicago
The Cottage by the Roadside, Stormy Sky
1855 · Art Institute of Chicago
Barks Fleeing Before the Storm
1870 · Art Institute of Chicago
Two Boats in a Storm
1870 · Art Institute of Chicago
Chariot Race
1876 · Art Institute of Chicago
Madame Léon Clapisson
1883 · Art Institute of Chicago
On the Road
1856 · Art Institute of Chicago
Alphabet de la Tête
Art Institute of Chicago
More from Barbizon school
More works to explore
Beyond Dupré and Barbizon school: works from the same years.
Same era · 1810s–1840s
Two Women with a Letter
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art


