“Stop to appreciate how Camille Pissarro captures the dramatic beauty of a sunset using the subtle, tonal qualities of drypoint and aquatint, creating a powerful contrast between light and shadow.”
A dramatic sky dominates this print, where the setting sun casts a glow across a tranquil landscape. Pissarro used drypoint and aquatint to create this moody scene, a technique that allowed for nuanced tones and rich textures. Notice how the dark, almost silhouetted foreground of trees and fields contrasts sharply with the luminous horizon, drawing your eye towards the sun itself, a small but intense focal point. This interplay of light and shadow, so central to Impressionist painting, is masterfully translated here into the monochrome world of printmaking. The choice of a rural subject, a quiet moment in nature, reflects a common theme in Pissarro's work from this period, capturing the fleeting beauty of the everyday world around Pontoise, where he lived at the time.
- Artist
- Camille Pissarro
- Date
- 1879
- Medium
- drypoint and aquatint
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Prints
- Culture
- France, 19th century
- Credit line
- Alma and Robert D. Milne Fund
What to Notice
Four details hide in plain sight. Here’s where to look.

The intense glow of the setting sun, a small bright circle on the horizon.
The dark, textured silhouettes of trees and fields in the foreground.
The delicate gradations of tone in the sky created by the aquatint process.
The sense of depth achieved through the layering of light and dark planes.
Stand in front of it and listen
The full narration walks you through Setting Sun — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Camille Pissarro
1830–1903 · FranceCamille Pissarro, the Danish-French painter, was a pivotal figure in both Impressionism and Neo-Impressionism, capturing everyday life from Parisian streets to snow-covered villages.
Further Works by Pissarro
The Banks of the Marne in Winter
1866 · Art Institute of Chicago
Snow at Louveciennes
1870 · Art Institute of Chicago
The Crystal Palace
1871 · Art Institute of Chicago
Still Life with Apples and Pitcher
1872 · The Metropolitan Museum of Art
Fan Mount: The Cabbage Gatherers
1878 · Metropolitan Museum of Art
Rabbit Warren at Pontoise, Snow
1879 · Art Institute of Chicago
Young Peasant Having Her Coffee
1881 · Art Institute of Chicago
Woman and Child at the Well
1882 · Art Institute of Chicago
More from Impressionism
More works to explore
Beyond Pissarro and Impressionism: works from the same years, and from the other movements Setting Sun belongs to.
Same movement · Neo-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1860s–1890s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Alphonsine Fournaise
Pierre-Auguste Renoir · 1879 · Musée d'Orsay
Same era · 1860s–1890s
On a Balcony
Mary Cassatt · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
The Millinery Shop
Edgar Degas · 1879 · Art Institute of Chicago
Same era · 1860s–1890s
Apples and Grapes
Claude Monet · 1880 · Art Institute of Chicago
Same era · 1860s–1890s
Portrait of a Woman with a Black Fichu
Édouard Manet · 1878 · Art Institute of Chicago
Same era · 1860s–1890s
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1860s–1890s
Beata Beatrix
Dante Gabriel Rossetti · 1877 · Birmingham Museums Trust
Same era · 1860s–1890s
Potted Plant
Edvard Munch · 1881 · Munch Museum




