“This self-portrait offers a rare, direct encounter with William Havell, an artist known for his landscapes. His steady gaze and unadorned presentation invite a moment of quiet connection with the painter himself.”
William Havell looks out at us directly in this self-portrait from 1838, his gaze steady and thoughtful. His face, framed by dark hair and sideburns, is rendered with a quiet intensity, suggesting a moment of self-reflection rather than a grand public statement. The artist presents himself without overt props or symbols of his profession, allowing his presence alone to fill the canvas. This intimate portrayal differs from the more dramatic landscapes and panoramic views he was known for, such as his scenes of the Tagus River or New York, instead offering a rare glimpse into his personal world. It was painted at a time when Havell, having returned from years abroad in India, was navigating a changing art market in England, making this self-assessment particularly poignant.
- Artist
- William Havell
- Date
- 1838
- Location
- Reading Museum
What to Notice
Four details hide in plain sight. Here’s where to look.

The direct, unwavering gaze of the artist.
The subtle modeling of light and shadow on his face.
The dark, simple background that emphasizes his figure.
The way his dark hair and sideburns frame his face.
Stand in front of it and listen
The full narration walks you through Self Portrait — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Havell
1782–1857 · Kingdom of Great BritainWilliam Havell, a founding member of the Society of Painters in Watercolours, captured the dramatic landscapes of Wales and the Lake District before embarking on a global journey.
Further Works by Havell
Indian Army Officer
1822 · Reading Museum
Temple of Paestum, Italy
1830 · Reading Museum
Tivoli, Italy
1830 · Reading Museum
Figures at an Arcadian Fountain (Fountain of Egeria)
1840 · Reading Museum
Landscape with Peasants and Cattle
Reading Museum
Cilgerran Castle
1805 · National Museum Cardiff
Yachts of the Cumberland Society Racing on the Thames, circa 1815
1815 · Royal Museums Greenwich
Woodcutters at Park Place, Henley, the River Thames Beyond
1821 · The Metropolitan Museum of Art
More works to explore
Beyond Havell: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
