“Stop and admire this exquisitely detailed miniature self-portrait from 1795. Its small size and luminous quality on ivory offer an intimate connection to an unknown face from the late 18th century.”
This miniature self-portrait, painted in 1795, captures the artist's direct gaze within a small, intimate format. The detailed brushwork on ivory creates a luminous quality, highlighting the subtleties of his expression. He appears in contemporary attire, his powdered wig and high collar suggesting a person of some standing in late 18th-century society. The delicate scale of the work, just over three inches square, was typical for portraits of this era, often carried as keepsakes or worn as jewelry. This piece offers a rare glimpse into the appearance of an individual whose identity has been lost to history, inviting viewers to connect with a face from over two centuries ago.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1795
- Medium
- Watercolor on ivory
- Location
- The Metropolitan Museum of Art
- Dimensions
- 3 1/4 × 3 1/4 in. (8.3 × 8.3 cm)
- Collection
- The American Wing
- Credit line
- Dale T. Johnson Fund, 2014
What to Notice
Four details hide in plain sight. Here’s where to look.

The artist's direct, confident gaze.
The intricate details of his powdered wig.
The subtle blush on his cheeks.
The delicate brushstrokes that define his cravat.
Stand in front of it and listen
The full narration walks you through Self Portrait — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Flower Arrangements
1595 · Art Institute of Chicago
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1780s–1810s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1780s–1810s
Napoleon Crossing the Alps
Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
Same era · 1780s–1810s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1780s–1810s
Joseph-Antoine Moltedo (born 1775)
Jean-Auguste-Dominique Ingres · 1805 · The Metropolitan Museum of Art
Same era · 1780s–1810s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1780s–1810s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1780s–1810s
John Blake (1770–1810), Mayor of Maidstone (1799)
Samuel Drummond · 1799 · Maidstone Museum and Bentlif Art Gallery
Same era · 1780s–1810s
Mr Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1780s–1810s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1780s–1810s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1780s–1810s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
Same era · 1780s–1810s
Mrs John Smart I
John Smart of Ipswich · 1785 · Dulwich Picture Gallery
