“This powerful portrait of the artist's mother captures a raw, emotional intensity through its expressive brushwork and the sitter's unwavering gaze, reflecting the social realism of its era.”
In this striking portrait, a woman with a direct gaze confronts the viewer, her expression both weary and resolute. Philip Evergood painted his mother during a challenging period, and that sense of struggle is palpable in her posture and the intense focus of her eyes. The brushwork is deliberately raw and expressive, creating a textured surface that adds to the emotional weight of the piece. This approach, combining a gritty realism with a deeply personal subject, reflects the artist's engagement with social realism during the Great Depression. While the setting is spare, the woman's presence dominates the canvas, inviting a moment of quiet contemplation about resilience and the human spirit.
- Artist
- Philip Evergood
- Date
- 1936
- Location
- Dallas Museum of Art
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the bold, almost crude lines that define her face and shoulders.
Notice the somber color palette, emphasizing shades of gray and muted earth tones.
See how her clasped hands convey a sense of tension or quiet strength.
Look at her direct, unsmiling gaze, which seems to pierce through the canvas.
Stand in front of it and listen
The full narration walks you through Portrait of My Mother — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Philip Evergood
1901–1973 · United StatesPhilip Evergood, a social realist painter, captured the grit and vitality of American life with a unique blend of reality and fantasy, often with a cartoonish quality.
Further Works by Evergood
More from Social Realism
More works to explore
Beyond Evergood and Social Realism: works from the same years.
Same era · 1920s–1950s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Divided and Divided
Ivan Puni · 1941 · Art Institute of Chicago
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
Salvador Dalí · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1920s–1950s
Women Harvesting
Paul Klee · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
White Crucifixion
Marc Chagall · 1938 · Art Institute of Chicago




