“Stop and admire these nine distinct plate designs from 1845, a charming display of Victorian-era ceramic artistry and the meticulous planning behind domestic goods. Each plate offers a unique decorative vision, from intricate florals to bold geometric patterns.”
This sheet presents nine distinct designs for decorated plates, offering a fascinating glimpse into mid-19th century ceramic aesthetics. Each circular form, rendered in pen and ink with delicate watercolor washes, showcases a different approach to ornamentation, from intricate floral borders to more geometric patterns. The varying styles suggest a desire for diverse offerings in a burgeoning market for domestic wares. While some designs feature a central motif, others emphasize the rim, creating a visual feast for potential customers or manufacturers. These detailed drawings were likely used as proposals or templates, illustrating the meticulous planning involved in producing fine tableware during this period, and highlighting the blend of artistry and industrial design.
- Artist
- Samuel Alcock & Company
- Date
- 1845
- Medium
- Pen and ink, watercolor
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the top-left plate, with its delicate blue floral garland.
See the central plate's bold, almost architectural, red and gold pattern.
Note the bottom-right design, featuring a simplified, almost modern, green leaf motif.
Look closely at the variation in border treatments across all nine plates.
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Samuel Alcock & Company
Samuel Alcock & Company, a prominent British business, was renowned for its intricate ceramic designs, particularly elegant cups and tureens, in the mid-19th century.
Further Works by Company
An Elegant Company
1632 · Art Institute of Chicago
Mr. James Mackie
1830 · Art Institute of Chicago
Old Tower at Avignon
1875 · Art Institute of Chicago
Lettered title: Christy
1845 · The Metropolitan Museum of Art
Lord Lyndhurst
1824 · The Metropolitan Museum of Art
The Early Ploughman
1856 · Art Institute of Chicago
Designs for Tureens and a Platter
1845 · The Metropolitan Museum of Art
Designs for Two Tureens and a Plate
1845 · The Metropolitan Museum of Art
More works to explore
Beyond Company: works from the same years.
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The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
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Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
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Vincent van Gogh · 1853 · The Metropolitan Museum of Art
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Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Portrait of Fred Adelbert Haywood
School of William Matthew Prior · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Porträt der Elizaveta Mazurina Vladimirona
Vasily Andreevich Tropinin · 1844
