“Stop and observe this lively graphite sketch of Jane de Glehn. It's a study for a larger watercolor, offering a rare look at the artist's spontaneous process in capturing light and form.”
This graphite drawing captures a woman in a moment of repose, her figure loosely sketched yet full of life. She is Jane de Glehn, a close friend and frequent subject for John Singer Sargent, shown here in a study for a larger watercolor titled "In the Generalife." The artist uses the medium of graphite to explore the play of light and shadow, particularly visible in the cascade of her dress and the gentle curve of her back. The lines are swift and confident, suggesting movement and the immediate impression of the scene rather than a meticulously rendered portrait. This sketch offers a glimpse into Sargent's working process, revealing how he captured the essence of a pose and the fall of fabric before translating it into a more finished work. It reflects his interest in informal studies and the spontaneous capturing of figures in everyday settings, a departure from the grand manner of his formal portrait commissions.
- Artist
- John Singer Sargent
- Date
- 1912
- Medium
- Graphite on off-white wove paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 9 15/16 x 9 15/16 in. (25.2 x 25.2 cm)
- Collection
- The American Wing
- Culture
- American
- Credit line
- Gift of Mrs. Francis Ormond, 1950
What to Notice
Five details hide in plain sight. Here’s where to look.

The swift, energetic graphite lines defining the dress
How the light catches the folds of fabric
The relaxed posture of the seated figure
The suggestion of a hat or head covering
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Jane de Glehn, Study for "In the Generalife" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
John Singer Sargent
1856–1925 · United StatesThe man who painted 900 oils and 2,000 watercolors once caused a Paris scandal with a single bare shoulder.
Further Works by Sargent
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
1869 · The Metropolitan Museum of Art
House and Courtyard
1895 · The Metropolitan Museum of Art
Sellar Alp, Dolomites
1913 · The Metropolitan Museum of Art
Sirmione
1913 · The Metropolitan Museum of Art
Man and Trees, Florida
1917 · The Metropolitan Museum of Art
Entombment
1874 · The Metropolitan Museum of Art
Head of a Man
1874 · The Metropolitan Museum of Art
Fishermen with Nets
1875 · The Metropolitan Museum of Art
More from Tonalism
More works to explore
Beyond Sargent and Tonalism: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Portrait of Alfred Döblin
Ernst Ludwig Kirchner · 1912 · Busch–Reisinger Museum
Same era · 1890s–1920s
Rayonist Sausages and Mackerel
Mikhail Larionov · 1912 · Museum Ludwig
Same era · 1890s–1920s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1890s–1920s
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art

