“This powerful drawing, an early work by John Singer Sargent, captures the raw emotion of the Entombment. It showcases his emerging mastery of light and shadow, revealing the early foundations of his renowned draftsmanship.”
This early drawing, titled "Entombment," captures a pivotal moment of grief and reverence. On blue wove paper, the scene unfolds with a somber palette of charcoal and chalk, creating a dramatic contrast between light and shadow. The figures, clustered around the body of Christ, convey a sense of profound sorrow through their postures and expressions. The artist, John Singer Sargent, created this piece in 1874, during his formative years in Paris, where he was immersed in rigorous academic training at the École des Beaux-Arts and under the tutelage of Carolus-Duran. This work reflects the influence of the old masters he admired, such as Tintoretto, in its dramatic composition and emotional intensity. The careful rendering of drapery and the human form demonstrates his early technical facility, hinting at the draftsmanship that would characterize his later, more celebrated works.
- Artist
- John Singer Sargent
- Date
- 1874
- Medium
- Charcoal and chalk on blue wove paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 14 1/2 x 18 3/4 in. (36.8 x 47.6 cm)
- Collection
- The American Wing
- Culture
- American
- Credit line
- Gift of Mrs. Francis Ormond, 1950
What to Notice
Five details hide in plain sight. Here’s where to look.

The way light illuminates Christ's body, drawing attention to its pale form.
The varied expressions of grief on the faces of the surrounding figures.
The contrasting textures created by charcoal and chalk on the blue paper.
The strong diagonal lines in the composition, guiding the eye through the scene.
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John Singer Sargent
1856–1925 · United StatesThe man who painted 900 oils and 2,000 watercolors once caused a Paris scandal with a single bare shoulder.
Further Works by Sargent
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
1869 · The Metropolitan Museum of Art
House and Courtyard
1895 · The Metropolitan Museum of Art
Sellar Alp, Dolomites
1913 · The Metropolitan Museum of Art
Sirmione
1913 · The Metropolitan Museum of Art
Man and Trees, Florida
1917 · The Metropolitan Museum of Art
Head of a Man
1874 · The Metropolitan Museum of Art
Fishermen with Nets
1875 · The Metropolitan Museum of Art
Woman with Basket
1875 · The Metropolitan Museum of Art
More from Tonalism
More works to explore
Beyond Sargent and Tonalism: works from the same years.
Same era · 1850s–1880s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1850s–1880s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
An Alpine Scene
Gustave Courbet · 1874 · Art Institute of Chicago
Same era · 1850s–1880s
Boating
Édouard Manet · 1874 · Metropolitan Museum of Art
Same era · 1850s–1880s
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1850s–1880s
Lunch at the Restaurant Fournaise (The Rowers' Lunch)
Pierre-Auguste Renoir · 1875 · Art Institute of Chicago
Same era · 1850s–1880s
The Fishermen (Fantastic Scene)
Paul Cézanne · 1875 · Metropolitan Museum of Art
Same era · 1850s–1880s
The Seine at Pont de Grenelle
Paul Gauguin · 1875 · Wallraf–Richartz Museum
Same era · 1850s–1880s
Woman with a Parasol – Madame Monet and Her Son
Claude Monet · 1875 · National Gallery of Art

