“Stop to admire this exquisite 17th-century Japanese *inro* case, a luxurious example of lacquerware artistry designed to carry small essentials. Its stacked, perfectly fitted compartments and lustrous surface showcase remarkable craftsmanship.”
This small, multi-compartment case, known as an inro, was designed to hold tiny personal items like medicines or seals. Its stacked design allowed for several distinct sections, each fitting snugly within the next, secured by a cord that runs through channels on either side. The surface is a testament to the luxurious artistry of Japanese lacquerware from the early 17th century. Imagine the intricate process: countless layers of lacquer, derived from the sap of the urushi tree, were applied and polished, creating a deep, lustrous black. The subtle sheen and smooth texture invite a closer look, revealing the meticulous craftsmanship involved in producing such an object at a time when these cases were becoming essential accessories for samurai and wealthy merchants, worn suspended from the obi (sash).
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1615
- Medium
- Lacquer
- Location
- Art Institute of Chicago
- Collection
- Arts of Asia
- Culture
- Japan
- Credit line
- Gift of Mrs. George T. Smith
What to Notice
Three details hide in plain sight. Here’s where to look.

The way the separate compartments fit perfectly together, almost invisibly.
The subtle, deep gleam of the black lacquer surface.
The fine cord that threads through the sides, holding the sections together.
Stand in front of it and listen
The full narration walks you through Inro Case — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1600s–1630s
Saint Francis
Peter Paul Rubens · 1615 · Art Institute of Chicago
Same era · 1600s–1630s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1600s–1630s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1600s–1630s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1600s–1630s
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
Rembrandt · 1626 · The Metropolitan Museum of Art
Same era · 1600s–1630s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1600s–1630s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1600s–1630s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1600s–1630s
Pilate washing his hands
Hendrick ter Brugghen · 1617 · National Museum in Lublin
Same era · 1600s–1630s
A Man Smoking and Another Man Eating by Candlelight
Willem van der Vliet · 1624 · Detroit Institute of Arts
Same era · 1600s–1630s
The Fortune-Teller
Georges de La Tour · 1630 · The Metropolitan Museum of Art
Same era · 1600s–1630s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
