“Stop to appreciate the dramatic portrayal of a sudden downpour on Japan's historic Tōkaidō Road, capturing the raw power of nature and the resilience of travelers.”
In this dynamic scene, travelers navigate a narrow, muddy path through a driving rainstorm, their figures silhouetted against the dark sky. The print captures the sudden ferocity of a downpour, with diagonal lines of rain obscuring the distant landscape and blurring the edges of the trees. A lone figure in the foreground, perhaps a courier, leans into the wind, his straw hat offering little protection. The dramatic contrast between the light, almost ethereal rain and the darker, saturated ground highlights the challenging conditions faced by those traversing the Tōkaidō Road, a vital artery connecting Edo (modern Tokyo) and Kyoto. This work is part of a celebrated series depicting the 53 stations along this historic route, capturing the diverse weather and landscapes encountered by pilgrims and merchants.
- Artist
- Utagawa Hiroshige
- Date
- 1832
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 8 13/16 x 13 17/32 in. (22.4 x 34.4 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The diagonal lines of rain creating a sense of movement and intensity.
The bent posture of the foreground figure, battling the elements.
The dark, wet ground reflecting the light, suggesting slick mud.
The distant, blurred trees hinting at the vastness of the landscape.
Stand in front of it and listen
The full narration walks you through 東海道五十三次之内 石薬師|Gyosho Tokaido: Ishikushi — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
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Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
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The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
