“Stop to witness a thrilling, true-life tale of justice on the road, where a friar confronts a notorious bandit in a dramatic, action-packed scene painted by Francisco Goya.”
A dramatic clash unfolds on a dusty road in this painting, with a friar firing a pistol at a notorious bandit, El Maragato. The bandit's horse, startled by the gunshot, rears violently, its rider tumbling backward. The scene is raw and immediate, capturing a moment of intense action and danger. Goya painted this work as part of a series of six panels, depicting the real-life capture of a dangerous brigand by a courageous monk in 1806. The artist’s brushwork is loose and energetic, conveying the chaos and speed of the event. The figures are rendered with a stark realism, highlighting the grim reality of the encounter. This work captures the brutal edge of life in early 19th-century Spain, a time when such encounters were not uncommon.
- Artist
- Francisco Goya
- Date
- 1806
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The friar’s determined expression as he fires the pistol
El Maragato’s hat flying off his head as he falls
The horse’s wide, terrified eyes and flaring nostrils
The dust cloud rising from the horse’s hooves
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Friar Pedro Shoots El Maragato as His Horse Runs Off — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Francisco Goya
1746–1828 · SpainFrancisco Goya, the Spanish master, captured everything from royal portraits to the dark anxieties of his age, often blurring the lines between Old Master and modern art.
Further Works by Goya
The Third of May 1808
1814 · Museo del Prado
Saturn Devouring His Son
1820 · Museo del Prado
El Maragato Threatens Friar Pedro de Zaldivia with His Gun
1806 · Art Institute of Chicago
Friar Pedro Binds El Maragato with a Rope
1806 · Art Institute of Chicago
Friar Pedro Clubs El Maragato with the Butt of the Gun
1806 · Art Institute of Chicago
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun
1806 · Art Institute of Chicago
Friar Pedro Wrests the Gun from El Maragato
1806 · Art Institute of Chicago
Portrait of Isidoro Maiquez
1807 · Art Institute of Chicago
More from Romanticism
A Limekiln, Possibly at Briton Ferry in South Wales
Turner · 1797 · Yale Center for British Art
The Monk by the Sea
Friedrich · 1800 · Alte Nationalgalerie
Joseph-Antoine Moltedo (born 1775)
Ingres · 1805 · The Metropolitan Museum of Art
Male Academy Figure: Half-Length, Side View
Delacroix · 1819 · Karen B. Cohen Collection
More works to explore
Beyond Goya and Romanticism: works from the same years.
Same era · 1790s–1820s
Hampton Court from the Thames
J. M. W. Turner · 1806 · National Gallery
Same era · 1790s–1820s
Napoleon Crossing the Alps
Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
Same era · 1790s–1820s
Wanderer above the Sea of Fog
Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same era · 1790s–1820s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1790s–1820s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1790s–1820s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1790s–1820s
The Death of Nelson at the Battle of Trafalgar, 21 October 1805
Samuel Drummond · 1806 · Royal Museums Greenwich
Same era · 1790s–1820s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
Same era · 1790s–1820s
The Ainslie Sisters (Agnes and Margaret)
Thomas Stewardson · 1808 · Abbot Hall Art Gallery
Same era · 1790s–1820s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1790s–1820s
The Peasant Boy with a Hatchet
Vasily Andreevich Tropinin · 1810 · Ekaterinburg Museum of Fine Arts
Same era · 1790s–1820s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
