“Step into a tranquil winter scene with this early Hiroshige print, where snow-covered mountains and a hushed lake transport you to a peaceful evening at Lake Biwa. Notice the delicate use of color and subtle atmospheric effects that define this evocative landscape.”
A thick blanket of snow covers the landscape in this serene woodblock print, transforming the familiar world into a hushed, monochromatic scene. The artist, Hiroshige, captures the quiet beauty of a winter evening at Lake Biwa, one of Japan's most famous scenic spots. The distant mountain range of Hira appears as a soft, hazy silhouette against the pale sky, its peaks barely distinguishable from the clouds. In the foreground, a few small boats brave the calm waters, their dark forms providing a stark contrast to the surrounding whiteness. This early work from 1825, part of a series depicting the "Eight Views of Ōmi," showcases the artist's emerging skill in rendering atmospheric effects and the poetic mood of a specific time and place. The subtle gradations of gray and white, achieved through the labor-intensive technique of bokashi, evoke the soft light of dusk and the heavy stillness of a snowy night.
- Artist
- Utagawa Hiroshige
- Date
- 1825
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 8 27/32 x 13 23/32 in. (22.5 x 34.9 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The delicate shading on the distant Hira mountains, almost blending into the sky.
The small, dark boats on the lake, providing a focal point in the snowy expanse.
The subtle texture of the snow on the land, suggesting its depth and softness.
The wispy, indistinct clouds overhead, mirroring the hazy mountains.
Stand in front of it and listen
The full narration walks you through 近江八景之内 比良暮雪|Evening Snow on Hira, Lake Biwa — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Cobbler’s Home
J. M. W. Turner · 1825 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
