“This print transports you to a serene evening on Lake Biwa, capturing the poetic beauty of a distant temple bell at dusk. Observe the masterful use of color and composition that makes this quiet moment feel so vast and profound.”
A solitary figure in a small boat navigates the tranquil waters of Lake Biwa, silhouetted against a dramatic, twilight sky. This woodblock print, "Evening Bell at Miidera Temple," captures one of the renowned Eight Views of Ōmi, a series inspired by a classical Chinese theme of scenic landscapes. The temple, barely visible on the distant shore, is hinted at by the lingering glow of the setting sun and the suggestion of its iconic bell. The composition emphasizes the vastness of nature, with the small boat and its passenger dwarfed by the expansive lake and sky. The subtle gradations of color, particularly in the sky and water, create a profound sense of depth and atmosphere, drawing the viewer into this peaceful, contemplative scene. The careful application of ink and color on paper allows for a delicate interplay of light and shadow, evoking the serene moment just as day yields to night.
- Artist
- Utagawa Hiroshige
- Date
- 1834
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 6 11/16 in. (17 cm); W. 9 1/8 in. (23.2 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The lone figure in the boat, almost a shadow against the water.
The faint outline of Miidera Temple on the far shore.
The delicate color transitions in the sky, from light yellow to deep blue.
The subtle ripples on the water's surface, reflecting the sky.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through 歌川広重画 「近江八景 三井晩鐘」|Evening Bell at Miidera Temple, from the series Eight Views of Ōmi (Ōmi hakkei) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
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Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
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The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
