“Observe the poetic simplicity of this Japanese woodblock print, where descending geese and a solitary boat under a full moon evoke a sense of serene beauty and timeless tranquility.”
A flock of geese descends through the twilight sky, their shapes silhouetted against a luminous full moon. Below, a lone fishing boat glides across the still waters of Lake Biwa, its sail catching the last light of day. This woodblock print, "Descending Geese at Katada," captures a specific moment within the "Eight Views of Ōmi," a popular series of landscape prints by Utagawa Hiroshige. He created this series around 1834, drawing on established landscape conventions and likely using existing illustrations, as he had not traveled west of Kyoto at this time. The subtle gradations of color, particularly in the sky and water, are achieved through a labor-intensive technique called bokashi, which was a hallmark of the ukiyo-e tradition.
- Artist
- Utagawa Hiroshige
- Date
- 1834
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 6 13/16 in. (17.3 cm); W. 9 in. (22.9 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The delicate outlines of the geese, almost dissolving into the evening sky.
The bright, full moon, a stark contrast to the darkening landscape.
The lone fishing boat, its sail a small triangle on the calm water.
The distant shoreline, a faint horizon line beneath the vast sky.
Stand in front of it and listen
The full narration walks you through 歌川広重画 「あふみ八景 堅田落雁」|Descending Geese at Katada, from the series Eight Views of Ōmi (Ōmi hakkei) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Golden Bough
J. M. W. Turner · 1834 · National Gallery
Same era · 1810s–1840s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
