“Stop to appreciate this charming wooden sculpture of a Bull Terrier, carved in 1875. Its lifelike posture and the natural beauty of the pine wood capture the loyal spirit of this distinctive breed.”
This charming wooden sculpture captures the alert posture of a Bull Terrier, a breed known for its distinctive egg-shaped head and muscular build. Carved from pine in 1875, the dog stands with an almost regal stillness, its ears perked and its gaze fixed, perhaps on an unseen companion or a distant sound. The artist has skillfully rendered the dog's powerful form, emphasizing its sturdy neck and broad chest, while the smooth, unpainted wood highlights the natural grain, giving the animal a timeless, almost monumental quality. The sculpture feels both lifelike and symbolic, embodying the loyalty and watchful nature often associated with these beloved animals. It’s a testament to the enduring appeal of animal portraiture, particularly in a period when such works were cherished as expressions of affection and markers of domestic life.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1875
- Medium
- Pine
- Location
- Art Institute of Chicago
- Dimensions
- 59.8 × 30.5 × 47 cm (23 1/2 × 12 × 18 1/2 in.)
- Collection
- Arts of the Americas
- Culture
- United States
- Credit line
- Purchased with funds provided by Charles C. Haffner III
What to Notice
Four details hide in plain sight. Here’s where to look.

The distinctive egg-shaped head, characteristic of the Bull Terrier breed.
The way the ears are perked, suggesting alertness and attentiveness.
The natural grain of the pine wood, visible across the dog's body.
The powerful, muscular build, especially in the neck and chest.
Stand in front of it and listen
The full narration walks you through Bull Terrier — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1860s–1890s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1860s–1890s
The Fishermen (Fantastic Scene)
Paul Cézanne · 1875 · Metropolitan Museum of Art
Same era · 1860s–1890s
The Seine at Pont de Grenelle
Paul Gauguin · 1875 · Wallraf–Richartz Museum
Same era · 1860s–1890s
The Seine at Port-Marly, Piles of Sand
Alfred Sisley · 1875 · Art Institute of Chicago
Same era · 1860s–1890s
Woman with a Parasol in a Garden
Pierre-Auguste Renoir · 1875 · Thyssen-Bornemisza Museum
Same era · 1860s–1890s
Woman with a Parasol – Madame Monet and Her Son
Claude Monet · 1875 · National Gallery of Art
Same era · 1860s–1890s
Yellow Dancers (In the Wings)
Edgar Degas · 1875 · Art Institute of Chicago
Same era · 1860s–1890s
An Alpine Scene
Gustave Courbet · 1874 · Art Institute of Chicago
