歌川広重画 「あふみ八景 石山秋月」|Autumn Moon at Ishiyama, from the series Eight Views of Ōmi (Ōmi hakkei) by Utagawa Hiroshige

歌川広重画 「あふみ八景 石山秋月」|Autumn Moon at Ishiyama, from the series Eight Views of Ōmi (Ōmi hakkei)

Utagawa Hiroshige · 1834

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“Pause to appreciate this serene autumn moon over Ishiyama, where a tiny figure crosses a bridge, bathed in the soft glow of a full moon in a masterwork of atmospheric landscape.”

ABOUT THIS WORK

A lone figure on horseback crosses a bridge, silhouetted against a luminous full moon in this captivating woodblock print. The scene captures the tranquility of Ishiyama Temple, a site famous for its autumn moon views on Lake Biwa. The temple buildings are nestled on a rocky outcrop, their forms softened by the night, while a single boat glides across the water below. This print, part of a series depicting the Eight Views of Ōmi, demonstrates a poetic approach to landscape, allowing the subtle interplay of light and shadow to create a sense of profound calm. The meticulous application of ink and color, particularly the nuanced bokashi (color gradation) in the sky and water, was a labor-intensive technique that gives the print its atmospheric depth.

DETAILS
Artist
Utagawa Hiroshige
Date
1834
Medium
Woodblock print; ink and color on paper
Location
The Metropolitan Museum of Art
Dimensions
H. 6 5/8 in. (16.8 cm); W. 9 in. (22.9 cm)
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

歌川広重画 「あふみ八景 石山秋月」|Autumn Moon at Ishiyama, from the series Eight Views of Ōmi (Ōmi hakkei)
01

The glowing full moon, the primary light source for the entire scene.

02

The tiny rider on horseback, crossing the bridge to the temple.

03

The subtle color gradations (bokashi) in the sky and water.

04

The delicate outlines of the temple buildings on the rocky cliff.

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THE ARTIST

Utagawa Hiroshige

1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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