“This lithograph captures the iconic cabaret star Yvette Guilbert, her exaggerated gesture and signature long gloves conveying her powerful stage presence with striking simplicity and warmth.”
In this lithograph, the legendary cabaret singer Yvette Guilbert stands center stage, her signature long black gloves reaching almost to her shoulders. Toulouse-Lautrec captures her with a stark, almost caricatured simplicity, focusing on the expressive power of her gesture and the distinctive silhouette she presented. The beige tint stone adds a warm, sepia-toned glow, evoking the gaslit atmosphere of a Montmartre music hall. The artist was deeply fascinated by the performers and patrons of Parisian nightlife, often creating portraits that felt both intimate and incisive. Here, he distills Guilbert's stage presence, allowing the viewer to imagine her voice and movement through the economy of line and tone. This image is part of a series dedicated to Guilbert, reflecting her immense popularity and the artist's keen eye for capturing the essence of his subjects.
- Artist
- Henri de Toulouse-Lautrec
- Date
- 1898
- Medium
- Lithograph with beige tint stone, on ivory laid paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 32.4 × 26.5 cm (12 13/16 × 10 7/16 in.); Sheet: 50.1 × 37.8 cm (19 3/4 × 14 15/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Mr. and Mrs. Carter H. Harrison Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Yvette Guilbert’s famously long black gloves.
The stark, almost skeletal quality of her arm and hand.
The way her head is tilted, suggesting a vocal performance.
The beige tint that warms the entire image.
1 more detail is waiting.
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Henri de Toulouse-Lautrec
1864–1901 · FranceHenri de Toulouse-Lautrec, the aristocratic artist of fin-de-siècle Paris, immortalized the vibrant, often scandalous, life of Montmartre's cabarets and brothels.
Further Works by de Toulouse-Lautrec
Equestrienne (At the Cirque Fernando)
1887 · Art Institute of Chicago
Moulin de la Galette
1889 · Art Institute of Chicago
At the Moulin Rouge
1892 · Art Institute of Chicago
Albert (René) Grenier (1858–1925)
1887 · The Metropolitan Museum of Art
Woman in the Garden of Monsieur Forest
1889 · The Metropolitan Museum of Art
The Streetwalker
1890 · The Metropolitan Museum of Art
Henri-Gabriel Ibels (1867–1936)
1892 · The Metropolitan Museum of Art
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge
1892 · The Metropolitan Museum of Art
More from Post-Impressionism
More works to explore
Beyond de Toulouse-Lautrec and Post-Impressionism: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
Rue de l'Epicerie, Rouen (Effect of Sunlight)
Camille Pissarro · 1898 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Water Lilies
Claude Monet · 1898 · Kagoshima City Museum of Art
Same era · 1880s–1910s
Jean Renoir Sewing
Pierre-Auguste Renoir · 1899 · Art Institute of Chicago
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum
Same era · 1880s–1910s
Two Tahitian Women
Paul Gauguin · 1899 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Maternal Caress
Mary Cassatt · 1896 · Philadelphia Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago




