“This lively ink drawing, an illustration for Émile Zola's novel "L'Assommoir," captures a bustling Parisian boulevard and the lives of its working-class inhabitants with vibrant, spontaneous strokes.”
In this dynamic ink drawing, a bustling Parisian boulevard unfolds, filled with the energy of working-class families. Two young girls, the daughters of a laundress, lead the eye into the scene, their simple dresses and bonnets suggesting their modest background. They are central to the illustration for Émile Zola's novel "L'Assommoir," a stark portrayal of working-class life. The rapid, almost calligraphic strokes of pen and ink capture the movement of the crowd and the architectural details of the buildings, from the ornate balconies to the shopfronts. Despite the seemingly quick execution, there's a careful balance in the composition, drawing attention to the street life while hinting at the broader urban environment. This work offers a glimpse into a specific moment in 19th-century Paris, reflecting the social observations found in Zola's naturalistic writing.
- Artist
- Pierre-Auguste Renoir
- Date
- 1877
- Medium
- Pen and brown ink, over black chalk, on ivory laid paper
- Location
- Art Institute of Chicago
- Dimensions
- 27.5 × 39.9 cm (10 7/8 × 15 3/4 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- The Regenstein Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the quick, energetic pen strokes that define the figures and architecture.
Look closely at the two girls in the foreground, their expressions and simple attire.
Notice the variety of figures in the crowd, each suggested with minimal lines.
See the architectural details of the buildings, like the ironwork balconies and awnings.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir") — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Pierre-Auguste Renoir
1841–1919 · FrancePierre-Auguste Renoir, a leading Impressionist, painted lively scenes of Parisian life and celebrated feminine beauty.
Further Works by Renoir
Lunch at the Restaurant Fournaise (The Rowers' Lunch)
1875 · Art Institute of Chicago
Woman at the Piano
1875 · Art Institute of Chicago
The Laundress
1877 · Art Institute of Chicago
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
1879 · Art Institute of Chicago
Near the Lake
1879 · Art Institute of Chicago
Seascape
1879 · Art Institute of Chicago
Young Woman Sewing
1879 · Art Institute of Chicago
Fruits of the Midi
1881 · Art Institute of Chicago
More from Impressionism
Young Spartan Girls Challenging Boys
Degas · 1860 · Art Institute of Chicago
Sea View, Calm Weather (Vue de mer, temps calme)
Manet · 1864 · Art Institute of Chicago
The Banks of the Marne in Winter
Pissarro · 1866 · Art Institute of Chicago
The Beach at Sainte-Adresse
Monet · 1867 · Art Institute of Chicago
More works to explore
Beyond Renoir and Impressionism: works from the same years.
Same era · 1860s–1890s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Arrival of the Normandy Train, Gare Saint-Lazare
Claude Monet · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Beata Beatrix
Dante Gabriel Rossetti · 1877 · Birmingham Museums Trust
Same era · 1860s–1890s
Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)
Edgar Degas · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
The Man with the Dog
Édouard Manet · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Woman at Her Toilette
Berthe Morisot · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Fan Mount: The Cabbage Gatherers
Camille Pissarro · 1878 · Metropolitan Museum of Art
Same era · 1860s–1890s
View of Marly-le-Roi from Coeur-Volant
Alfred Sisley · 1876 · The Metropolitan Museum of Art
Same era · 1860s–1890s
On a Balcony
Mary Cassatt · 1879 · Art Institute of Chicago
