“Step back to 1860s Aberdeen with this album of 48 albumen prints. It's a rare, candid look at Victorian street life, centered on the historic Mercat Cross, offering a vivid window into a bygone era.”
This Victorian album, dating from around 1860, offers a fascinating glimpse into the lives of people in Aberdeen, Scotland, through a collection of 48 albumen prints. Each card, carefully arranged on the album's pages, captures a moment from a bustling street scene, centered around the Mercat Cross. The album itself, with its sturdy binding, reflects the era's growing interest in photography as a means of documenting daily life and personal histories. The anonymous photographer meticulously composed these images, inviting us to imagine the sounds and activities of a mid-19th-century Scottish town. The albumen print process, popular at the time, lends a rich, warm tone to the photographs, enhancing their evocative quality and preserving fine details that might otherwise be lost to time.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1860
- Medium
- Albumen prints (48)
- Location
- Art Institute of Chicago
- Dimensions
- 10.4 × 6 (each card); 16.3 × 12.8 cm (each page); 17.5 × 15 × 16.2 cm (album)
- Collection
- Photography and Media
- Culture
- Europe
- Credit line
- Gift of Helen Harvey Mills
What to Notice
Five details hide in plain sight. Here’s where to look.

The Mercat Cross, a historical landmark, at the center of the scene.
Details of Victorian fashion on the people captured in the photographs.
The architectural elements of the surrounding buildings.
The subtle sepia tones characteristic of albumen prints.
1 more detail is waiting.
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Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Monsieur Suisse
Gustave Courbet · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Pools by the Seaside
William Hart · 1861 · Buffalo AKG Art Museum
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Sea View, Calm Weather (Vue de mer, temps calme)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
