Venus and Cupid, after Cranach by Piero Manzoni

Venus and Cupid, after Cranach

Piero Manzoni · 1949

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“This striking aquatint by Piero Manzoni, created when he was only 16, reinterprets a classical mythological scene with dramatic contrasts, offering an early look at an artist who would soon redefine avant-garde art.”

ABOUT THIS WORK

In this aquatint, a classical scene of Venus and Cupid is reimagined with a distinctly modern sensibility. The figures, rendered in a striking black and white, emerge from a dark background, their forms defined by delicate lines and subtle tonal shifts created through scraping and drypoint. Venus, with her long, flowing hair, gazes outward, while Cupid playfully pulls at her veil, his small wings visible behind him. The dramatic contrast and the intricate textures of the print highlight the enduring appeal of mythological subjects, even as the artist, Piero Manzoni, was beginning to explore more conceptual and experimental approaches in his burgeoning career. This early work, made when he was just 16 years old, offers a fascinating glimpse into the foundations of an artist who would later challenge the very definition of art.

DETAILS
Artist
Piero Manzoni
Date
1949
Medium
Aquatint, with scraping, engraving and drypoint on copper in black on white wove paper
Location
Art Institute of Chicago
Dimensions
Image/plate: 78.6 × 42.9 cm (31 × 16 15/16 in.); Sheet: 100 × 59.7 cm (39 3/8 × 23 9/16 in.)
ART MOVEMENTS
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What to Notice

Four details hide in plain sight. Here’s where to look.

Venus and Cupid, after Cranach
01

The delicate lines defining Venus's hair, created by engraving and drypoint.

02

Cupid's small, feathery wings behind his back.

03

The subtle tonal variations in the dark background, characteristic of aquatint.

04

The texture of Venus's drapery, suggested by the scraping technique.

THE ARTIST

Piero Manzoni

1933–1963 · Italy

Piero Manzoni challenged the very definition of art with audacious works like 'Artist's Shit,' turning everyday objects and even bodily functions into conceptual statements.

Read Manzoni’s full story
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