“This striking work by Otto Mäkilä presents two enigmatic masks, one pale and skull-like, the other dark and shadowy, inviting viewers to ponder themes of mortality and identity through its stark, unsettling composition.”
In Otto Mäkilä's "Two Masks" from 1931, two stark, almost skeletal faces emerge from a dark, undefined space. One mask, perhaps a skull, is rendered in pale tones, its empty eye sockets and bared teeth conveying a chilling stillness. Beside it, another mask, darker and more angular, suggests a different kind of void, perhaps a shadow or a reflection of the first. The artist, working in Finland during a period of significant social and artistic change, often explored themes of death, resurrection, and the human condition. Here, the minimal setting and stark contrast between the two forms amplify a sense of mystery and unease, inviting contemplation on mortality and identity. The composition, devoid of extraneous detail, focuses intensely on these two enigmatic presences, making them feel both ancient and unsettlingly modern.
- Artist
- Otto Mäkilä
- Date
- 1931
- Location
- Finnish National Gallery
What to Notice
Four details hide in plain sight. Here’s where to look.

The pale, skull-like mask with its hollow eyes.
The darker, more abstract mask next to it.
The subtle texture variations in the dark background.
The way light defines the contours of the pale mask.
Stand in front of it and listen
The full narration walks you through Two Masks — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Otto Mäkilä
1904–1955 · FinlandOtto Mäkilä, a Finnish painter, captured the human experience with works like 'Murder' and 'Evening on the Wijtschaete Plain' in the early 20th century.
Further Works by Mäkilä
Gnome
1945 · Finnish National Gallery
Door to the Unknown
1947 · Finnish National Gallery
View from Turku
1915 · Finnish National Gallery
Portrait (Painter Erkki Kosonen)
1922 · Finnish National Gallery
Portrait of an Old Man
1928 · Finnish National Gallery
Sommitelma
1930 · Finnish National Gallery
Friends
1931 · Finnish National Gallery
Street in Paris
1931 · Finnish National Gallery
More works to explore
Beyond Mäkilä: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
That Which I Should Have Done I Did Not Do (The Door)
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1910s–1940s
The Red Armchair
Pablo Picasso · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Strange Glance
Paul Klee · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
