“Stop to see "Friends," where Otto Mäkilä captures two figures with an unsettling intensity. Their wide, dark eyes and stark forms create a haunting scene, inviting you to ponder the nature of human connection and solitude.”
In Otto Mäkilä's "Friends" from 1931, two figures are rendered with an almost ghostly pallor, their eyes wide and dark, gazing out at the viewer. The artist uses a stark, almost monochromatic palette, dominated by cool grays and muted blues, which amplifies the somber mood. The forms are simplified, almost flattened, giving the scene a graphic quality that feels both modern and unsettling. This approach aligns with the Expressionist tendencies prevalent in Northern Europe during the early 20th century, where artists often distorted reality to convey emotional states rather than objective truth. The figures' closeness, yet their vacant stares, suggest a complex emotional landscape, perhaps reflecting the anxieties of a world grappling with significant social and political shifts. Mäkilä’s work often explored themes of human experience, and here, he invites us to consider the nature of connection and isolation.
- Artist
- Otto Mäkilä
- Date
- 1931
- Location
- Finnish National Gallery
What to Notice
Five details hide in plain sight. Here’s where to look.

The wide, dark eyes of both figures, creating an intense gaze.
The simplified, almost geometric shapes of their faces and bodies.
The cool, limited color palette dominated by grays and blues.
The way the figures' heads almost touch, despite their distant expressions.
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Otto Mäkilä
1904–1955 · FinlandOtto Mäkilä, a Finnish painter, captured the human experience with works like 'Murder' and 'Evening on the Wijtschaete Plain' in the early 20th century.
Further Works by Mäkilä
Gnome
1945 · Finnish National Gallery
Door to the Unknown
1947 · Finnish National Gallery
View from Turku
1915 · Finnish National Gallery
Portrait (Painter Erkki Kosonen)
1922 · Finnish National Gallery
Portrait of an Old Man
1928 · Finnish National Gallery
Sommitelma
1930 · Finnish National Gallery
Street in Paris
1931 · Finnish National Gallery
Two Masks
1931 · Finnish National Gallery
More works to explore
Beyond Mäkilä: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
That Which I Should Have Done I Did Not Do (The Door)
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1910s–1940s
The Red Armchair
Pablo Picasso · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Sunset
Paul Klee · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
