Downcast face
On the right, the second girl bows her head, her face built from angular planes with a red patch on the cheek. It looks closer to a carved mask than a portrait.

“Stop to appreciate the striking, angular forms of these two figures, almost lost in a vibrant, expressionistic garden. This work exemplifies a radical artistic movement that sought to forge a new path by drawing inspiration from non-Western art forms and the raw power of nature.”
Two young women, their faces obscured, stand amidst a riot of green in this vibrant garden scene. The figures are rendered with an intentional angularity, their forms almost merging with the surrounding foliage, a style that reflects a deliberate break from traditional academic painting. This intuitive approach, characterized by rough outlines and bold color, draws on non-Western influences, particularly African sculpture, which the artist studied in Dresden. The painting’s raw energy and focus on nature speak to a desire to reconnect with the natural world, a common theme for artists seeking an antidote to the complexities of modern urban life. Even after moving to Berlin, the artist continued to find inspiration in such settings, presenting a vision of humanity deeply intertwined with its environment.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
On the right, the second girl bows her head, her face built from angular planes with a red patch on the cheek. It looks closer to a carved mask than a portrait.
At upper left, a girl raises a clenched hand near her face. The stiff, blocky fingers make a simple gesture feel puzzling and tense.
The girl on the left shows us only the back of her dark head and neck. With her face hidden, she feels private, and our eye is drawn to the figure beside her.
At the center, the two dark dresses merge where the girls' arms meet. The one heavy mass binds them as a pair against the bright, busy ground.
Pink and white shards are scattered across the green background. They could be blossoms or leaves, but they are flat, sharp-edged facets rather than soft petals.
The full narration walks you through Two Girls in a Garden — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Karl Heffner was a German landscape painter known for atmospheric, softly lit river and twilight scenes in the tradition of Corot and the Barbizon school.
Back Teria One Oh! One
Art Institute of Chicago
Macy's Jet Set
Art Institute of Chicago
Screamin' Jay Hawkins
Art Institute of Chicago
You Scratch My Back and I'll Scratch Yours
Art Institute of Chicago
The Embrace
1918 · Art Institute of Chicago
Portrait of a Woman
1868 · Art Institute of Chicago
Carnival Figures
1919 · Art Institute of Chicago
Memorial Sheet for Karl Liebknecht
1920 · Art Institute of Chicago
Beyond Heffner: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Zwei Akte im Raum
Ernst Ludwig Kirchner · 1914 · Albertina
Same era · 1890s–1920s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1890s–1920s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1890s–1920s
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1890s–1920s
Laurette with a Cup of Coffee
Henri Matisse · 1916 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago