“This print captures the ethereal beauty of a cuckoo's first song over Tsukudajima island, using subtle color and composition to evoke the quiet arrival of summer in Edo-era Japan.”
A lone cuckoo slices through the twilight sky above Tsukudajima, its call echoing over the calm waters of Edo Bay. This woodblock print, created around 1831, captures a moment of fleeting beauty and traditional significance. The island itself, a small fishing community, is depicted as a cluster of dark, silhouetted forms against the pale expanse of the bay. The artist uses a subtle gradation of color, known as bokashi, to create a sense of atmospheric depth, particularly in the sky where the last vestiges of daylight meet the encroaching night. The cuckoo, a harbinger of summer and a popular subject in Japanese poetry, symbolizes the arrival of a new season. This work invites contemplation on the passage of time and the connection between nature and human experience.
- Artist
- Utagawa Hiroshige
- Date
- 1831
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The tiny cuckoo, a dark silhouette against the pale sky.
The subtle color gradation (*bokashi*) in the sky, from light to dark.
The dark, indistinct shapes of Tsukudajima island in the middle ground.
The calm, reflective surface of Edo Bay below the island.
Stand in front of it and listen
The full narration walks you through Tsukudajima hatsuhotogizu|東都名所 佃島初郭公|The Year's First Song of the Cuckoo at Tsukudajima — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Two Women with a Letter
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
