“This painting by Ernst Ludwig Kirchner transforms a private moment into a bold Expressionist statement. Notice the striking colors and sharp angles that convey an intense, almost unsettling intimacy between the women and their reflections.”
Two women stand before a mirror in this vibrant, angular painting, their forms rendered with raw energy. The scene, captured by Ernst Ludwig Kirchner in 1913, pulses with the immediacy characteristic of Expressionism, a movement he helped found. One woman, perhaps in a slip, faces us with an almost confrontational gaze, her reflection a shadowy double. The other, seen from behind, leans into the mirror, her body a series of sharp planes and bold outlines. Kirchner’s palette is intense, with slashing reds, blues, and yellows creating a sense of restless interiority, a stark contrast to the quiet intimacy often associated with women at their toilette. The brushstrokes are visible and urgent, emphasizing the emotional rather than the purely descriptive, inviting us to feel the tension and psychological depth of the moment.
- Artist
- Ernst Ludwig Kirchner
- Date
- 1913
- Medium
- Oil on canvas
- Location
- Musée National d'Art Moderne
What to Notice
Five details hide in plain sight. Here’s where to look.

The woman on the left's intense, direct gaze.
The jagged, almost fractured lines defining the women's bodies.
The vibrant, clashing colors that dominate the composition.
The shadowy, indistinct reflection of the first woman in the mirror.
1 more detail is waiting.
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Ernst Ludwig Kirchner
1880–1938 · German ReichErnst Ludwig Kirchner, a founder of the revolutionary Die Brücke group, reshaped German art with his raw, emotional Expressionist vision.
Further Works by Kirchner
NUDE AT THE MIRROR
Frauenkopf vor Sonnenblumen
1906 · Museum Frieder Burda
Female Nude (Dodo)
1909 · Albertina
Wrestlers in a Circus
1909 · Cleveland Museum of Art
Blue Girl in the Sun
1910
Pfortensteg Chemnitz
1910 · Museum Frieder Burda
Burg on Fehmarn
1912 · Westphalian State Museum of Art and Cultural History
Portrait of Alfred Döblin
1912 · Busch–Reisinger Museum
More from Die Brucke
More works to explore
Beyond Kirchner and Die Brucke: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1890s–1920s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1890s–1920s
Sellar Alp, Dolomites
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1890s–1920s
Street Cart
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Man with a Pipe
Pablo Picasso · 1915 · Art Institute of Chicago
Same era · 1890s–1920s
Apples
Henri Matisse · 1916 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art

