The empty center
Look at the white disc at the middle, with a thin ring inside it. It is the one calm, blank spot, so every swirl around it seems to circle toward it.

“Stop to untangle this mesmerizing knot of ribbons, a complex woodcut inspired by Leonardo da Vinci that plays with illusion and endless pattern.”
This woodcut, "The Third Knot," presents an intricate, almost dizzying pattern of interwoven ribbons, forming a complex, seemingly endless loop. It is one of a series of six such designs, all inspired by engravings from Leonardo da Vinci’s school, which the artist likely encountered during his travels in Italy. The design here is a masterclass in visual complexity, a flat surface made to suggest three dimensions through overlapping and shading. Look closely at how the light and shadow play across the imagined folds of the ribbon, creating a sense of depth and movement. Printed on thin, almost translucent Italian paper, these "knots" were once thought to be embroidery patterns, a testament to their delicate and precise execution. Though the artist left this series unsigned, he referred to them in his diary, confirming his hand in their creation.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Look at the white disc at the middle, with a thin ring inside it. It is the one calm, blank spot, so every swirl around it seems to circle toward it.
Round, rose-like knots circle the central disc, with some above and some below. Their repetition gives the dense pattern a rhythm your eye can follow.
The cords are bare paper, left standing while the dark ground around them was cut away. Notice how steady and even the thin ribbons stay through every turn.
Each corner holds a dark, leaf-edged shape filled with a small knot of its own. Look at the upper left one, where a loop spreads like a bow. They echo the big pattern at a smaller scale.
Beside each corner shape, loose, curling vines with tiny buds spread out. Their free, light drawing contrasts with the tight, locked knots in the circle.
The full narration walks you through The Third Knot — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Renaissance master who revolutionized printmaking across Europe before turning 30.
Saint Jerome in His Study
1521 · National Museum of Ancient Art
Portrait of a Woman, Said to Be Caritas Pirckheimer (1467–1532)
The Metropolitan Museum of Art
The Monstrous Sow of Landser
1496 · Art Institute of Chicago
The Lamentation, from The Large Passion
1498 · Art Institute of Chicago
The Fourth Knot
1507 · Art Institute of Chicago
The Annunciation, from The Life of the Virgin
1511 · Art Institute of Chicago
The Lamentation
1477 · The Metropolitan Museum of Art
The Entombment
1485 · The Metropolitan Museum of Art
Beyond Dürer and Northern Renaissance: works from the same years.
Same era · 1490s–1520s
Saint Christopher
Hieronymus Bosch · 1508 · Noordbrabants Museum
Same era · 1490s–1520s
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1490s–1520s
Jacopo Pesaro, Bishop of Paphos, being presented by Pope Alexander VI to Saint Peter
Titian · 1504 · Royal Museum of Fine Arts Antwerp
Same era · 1490s–1520s
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1490s–1520s
Sistine Madonna (Madonna di San Sisto)
Raphael (Raffaello Sanzio da Urbino) · 1512
Same era · 1490s–1520s
Plate with arms of the Tosinghi family
Artist Unknown - The Mercat Cross, Aberdeen · 1495 · The Metropolitan Museum of Art
Same era · 1490s–1520s
Madonna and Child Enthroned with Saints John the Baptist and Sebastian
Pietro Perugino · 1493 · Uffizi Gallery
Same era · 1490s–1520s
Head of Christ (one of a pair)
Master of the View of Saint Gudula · 1495 · The Metropolitan Museum of Art