“This painting vividly contrasts wealth and poverty, using dramatic light and shadow to tell the biblical story of the rich man and poor Lazarus. It's a powerful lesson in compassion, brought to life by Hendrick ter Brugghen's intense style.”
In this dramatic painting, Hendrick ter Brugghen brings to life the biblical parable of the rich man and poor Lazarus with striking contrasts. The scene is split between two distinct worlds: on the left, a lavish feast unfolds in a dimly lit interior, while on the right, Lazarus lies suffering in a desolate courtyard. The rich man, oblivious to the plight outside his door, is surrounded by opulence, his table laden with food and drink. Ter Brugghen uses intense chiaroscuro, a technique he picked up in Italy, to heighten the emotional impact, casting deep shadows and illuminating key figures with a stark, almost theatrical glow. This painting, created around 1625, powerfully conveys the moral lesson of compassion and the consequences of indifference, pulling the viewer into the stark reality of the story.
- Artist
- Hendrick ter Brugghen
- Date
- 1625
- Medium
- Oil on canvas
- Location
- Centraal Museum
What to Notice
Five details hide in plain sight. Here’s where to look.

The rich man's dog licking Lazarus's wounds, a detail from the biblical story.
The sumptuous still life on the rich man's table, contrasting with Lazarus's hunger.
The deep shadows and bright highlights, a signature of the Utrecht Caravaggisti.
The rich man's indifferent gaze, focused on his feast, not the suffering outside.
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Hendrick ter Brugghen
1588–1629 · Dutch RepublicHendrick ter Brugghen brought Caravaggio's dramatic light and emotional realism from Italy to the Dutch Republic, profoundly shaping Dutch Golden Age painting.
Further Works by ter Brugghen
The Calling of Saint Matthew
1609 · Museum of Fine Arts, Budapest
Pilate washing his hands
1617 · National Museum in Lublin
Roman Charity
1622 · The Metropolitan Museum of Art
Saint Jerome
1624 · Museum Boijmans Van Beuningen
Calling of Saint Matthew
1621 · Centraal Museum
The Merry Drinker
1625 · Centraal Museum
A Boy Playing the Lute ("Hearing", One of a Series of the Five Senses)
1620 · Nationalmuseum
A Girl Holding a Glass ("Taste", One of a Series of the Five Senses)
1620 · Nationalmuseum
More works to explore
Beyond ter Brugghen: works from the same years.
Same era · 1610s–1640s
Portrait of a Woman, Probably Susanna Lunden (Susanna Fourment, 1599–1628)
Peter Paul Rubens · 1625 · The Metropolitan Museum of Art
Same era · 1610s–1640s
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
Rembrandt · 1626 · The Metropolitan Museum of Art
Same era · 1610s–1640s
Petrus Scriverius (1576–1660)
Frans Hals · 1626 · The Metropolitan Museum of Art
Same era · 1610s–1640s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1610s–1640s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1610s–1640s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1610s–1640s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1610s–1640s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1610s–1640s
The Fortune-Teller
Georges de La Tour · 1630 · The Metropolitan Museum of Art
Same era · 1610s–1640s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1610s–1640s
Saint Romanus of Antioch and Saint Barulas
Master of the View of Saint Gudula · 1638 · Art Institute of Chicago
Same era · 1610s–1640s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
