“This dramatic painting captures a powerful story of sacrifice and love, rendered with striking light and shadow that draws you into an intimate, emotional moment.”
In a dimly lit cell, a young woman discreetly nurses an elderly man, her face a study in tender concern. This painting depicts the ancient Roman story of Cimon and Pero, a tale of filial devotion known as 'Roman Charity.' The dramatic contrast of light and shadow, a hallmark of Utrecht Caravaggism, emphasizes the emotional intensity of the scene. Light falls sharply on Pero's bared breast and the old man's gaunt face, highlighting his vulnerability and her act of selfless love. The confined space and close-up perspective draw the viewer into the intimate moment, making the act of compassion feel immediate and profound. The artist, Hendrick ter Brugghen, painted this work in 1622, after his return from Italy, where he absorbed the influential style of Caravaggio.
- Artist
- Hendrick ter Brugghen
- Date
- 1622
- Medium
- Oil on canvas
- Location
- The Metropolitan Museum of Art
- Dimensions
- 58 1/8 × 54 1/8 in. (147.6 × 137.5 cm)
- Collection
- European Paintings
- Credit line
- Wrightsman Fund, 2020
What to Notice
Four details hide in plain sight. Here’s where to look.

The subtle glow on Pero's cheek, reflecting the cell's single light source.
The elderly man's emaciated arm, revealing his desperate hunger.
The rough texture of the man's tunic, contrasting with Pero's softer fabric.
The way the shadows deepen the sense of confinement in the cell.
Stand in front of it and listen
The full narration walks you through Roman Charity — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Hendrick ter Brugghen
1588–1629 · Dutch RepublicHendrick ter Brugghen brought Caravaggio's dramatic light and emotional realism from Italy to the Dutch Republic, profoundly shaping Dutch Golden Age painting.
Further Works by ter Brugghen
The Calling of Saint Matthew
1609 · Museum of Fine Arts, Budapest
Pilate washing his hands
1617 · National Museum in Lublin
Saint Jerome
1624 · Museum Boijmans Van Beuningen
A Boy Playing the Lute ("Hearing", One of a Series of the Five Senses)
1620 · Nationalmuseum
A Girl Holding a Glass ("Taste", One of a Series of the Five Senses)
1620 · Nationalmuseum
Boy Playing a Fife
1620 · Gemäldegalerie Alte Meister
Calling of Saint Matthew
1621 · Centraal Museum
Saint John writing his Gospel
1621 · Museum De Waag
More works to explore
Beyond ter Brugghen: works from the same years.
Same era · 1600s–1630s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1600s–1630s
St. Albert of Louvain
Peter Paul Rubens · 1620 · Art Institute of Chicago
Same era · 1600s–1630s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1600s–1630s
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
Rembrandt · 1626 · The Metropolitan Museum of Art
Same era · 1600s–1630s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1600s–1630s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1600s–1630s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1600s–1630s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1600s–1630s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1600s–1630s
The Fortune-Teller
Georges de La Tour · 1630 · The Metropolitan Museum of Art
Same era · 1600s–1630s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1600s–1630s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
