“This painting captures the dramatic moment Christ calls Matthew to follow him, using intense light and shadow to bring a powerful realism to the biblical scene. Notice the human expressions and the pile of coins, highlighting Matthew's former life.”
In a dimly lit room, a pivotal moment unfolds: the calling of Matthew to become a disciple of Christ. Four figures gather around a table, their faces illuminated by a dramatic, unseen light source that casts deep shadows. This intense contrast of light and dark, known as tenebrism, draws the eye to the central gesture of Christ, who points decisively towards Matthew. The scene feels immediate and human, with Matthew, a tax collector, caught mid-count, his hand still resting on a pile of coins. His expression, and those of his companions, are rendered with a powerful realism that makes this ancient biblical story feel strikingly present. The artist, Hendrick ter Brugghen, was one of the Dutch painters deeply influenced by Caravaggio, a style he brought back to Utrecht after his travels in Italy.
- Artist
- Hendrick ter Brugghen
- Date
- 1621
- Medium
- Oil on canvas
- Location
- Centraal Museum
What to Notice
Five details hide in plain sight. Here’s where to look.

Christ's hand, subtly pointing to Matthew amidst the group.
The coins on the table, indicating Matthew's profession as a tax collector.
The varying expressions on the faces of the men at the table.
The dramatic play of light and shadow across the figures and their clothing.
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Hendrick ter Brugghen
1588–1629 · Dutch RepublicHendrick ter Brugghen brought Caravaggio's dramatic light and emotional realism from Italy to the Dutch Republic, profoundly shaping Dutch Golden Age painting.
Further Works by ter Brugghen
The Calling of Saint Matthew
1609 · Museum of Fine Arts, Budapest
Pilate washing his hands
1617 · National Museum in Lublin
Roman Charity
1622 · The Metropolitan Museum of Art
Saint Jerome
1624 · Museum Boijmans Van Beuningen
The Merry Drinker
1625 · Centraal Museum
The Rich Man and the Poor Lazarus
1625 · Centraal Museum
A Boy Playing the Lute ("Hearing", One of a Series of the Five Senses)
1620 · Nationalmuseum
A Girl Holding a Glass ("Taste", One of a Series of the Five Senses)
1620 · Nationalmuseum
More works to explore
Beyond ter Brugghen: works from the same years.
Same era · 1600s–1630s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1600s–1630s
St. Albert of Louvain
Peter Paul Rubens · 1620 · Art Institute of Chicago
Same era · 1600s–1630s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1600s–1630s
Musical Company
Rembrandt · 1626 · Museum De Lakenhal
Same era · 1600s–1630s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1600s–1630s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1600s–1630s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1600s–1630s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1600s–1630s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1600s–1630s
The Fortune-Teller
Georges de La Tour · 1630 · The Metropolitan Museum of Art
Same era · 1600s–1630s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1600s–1630s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
