“This color woodcut captures a woman in a profound sleep, her face nestled into a pillow. It's a striking example of Symbolist art, inviting contemplation on themes of dreams and vulnerability through its bold lines and intimate portrayal.”
A woman lies with her head nestled into a large, white pillow, her eyes closed in what appears to be a deep, perhaps troubled, sleep. The color woodcut technique gives the image a striking graphic quality, with bold lines and a limited palette emphasizing the contours of her face and the folds of the fabric. Her dark hair spills across the pillow, contrasting sharply with its bright surface, while the shadows around her suggest an intimate, perhaps nocturnal, setting. The scene evokes a sense of quiet introspection or vulnerability, drawing the viewer into her private moment. Created in 1903, this work by Maximilian Pirner reflects the Symbolist interest in psychological states and inner worlds, often exploring themes of sleep, dreams, and the subconscious.
- Artist
- Maximilian Pirner
- Date
- 1903
- Medium
- Color woodcut on paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 28.5 × 25.9 cm (11 1/4 × 10 1/4 in.); Sheet - folded: 38.1 × 30.8 cm (15 × 12 3/16 in.); Secondary support: 56 × 45 cm (22 1/16 × 17 3/4 in.)
- Collection
- Prints and Drawings
- Culture
- Austria
- Credit line
- Purchased with funds provided by Henry Regnery
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the dark hair contrasts with the stark white pillow.
The subtle shading on her face, suggesting the curve of her cheek.
The intricate patterns and textures created by the woodcut lines.
The delicate curve of her hand resting near her face.
1 more detail is waiting.
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Maximilian Pirner
1854–1924 · Austria–HungaryMaximilian Pirner, a Czech painter, explored classical mythology and the macabre, mastering a "sinuous line" while being a member of the Vienna Secession.
Further Works by Pirner
The Actor Maximilian Korn in a Landscape
Art Institute of Chicago
The Hermit (Poustevník)
1878
Emperor Maximilian I
Art Institute of Chicago
Glaive for the Bodyguard of Emperor Maximilian II
Art Institute of Chicago
Glaive for the Bodyguard of King of Hungry and Bohemia (Later Emperor) Maximilian II
Art Institute of Chicago
The Emperor Maximilian Presented to Christ by His Patron Saints
Art Institute of Chicago
The Marriage of Maximilian of Austria with Mary of Burgundy
Art Institute of Chicago
Triumph of Maximilian
Art Institute of Chicago
More works to explore
Beyond Pirner: works from the same years.
Same era · 1880s–1910s
Portrait of Natalia Goncharova
Mikhail Larionov · 1903
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1880s–1910s
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1880s–1910s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1880s–1910s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1880s–1910s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1880s–1910s
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1880s–1910s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1880s–1910s
Haystacks, Morning, Eragny
Camille Pissarro · 1899 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Jean Renoir Sewing
Pierre-Auguste Renoir · 1899 · Art Institute of Chicago
Same era · 1880s–1910s
Mademoiselle Nys
Henri de Toulouse-Lautrec · 1899 · The Metropolitan Museum of Art
