“This lithograph by Henri de Toulouse-Lautrec offers a glimpse into Parisian society, focusing on a horse fancier's quiet contemplation rather than a dramatic event. It's a subtle study of observation and urban life.”
In this lithograph, a man in a top hat stands at the center, his gaze fixed on a horse and rider in the background. The scene, rendered with a light touch, suggests a moment of quiet observation rather than the boisterous energy often associated with equestrian events. Toulouse-Lautrec captures a subtle social interaction: the fancier, perhaps a connoisseur or a potential buyer, appears absorbed in assessing the animal, while the rider remains an anonymous figure. The composition draws the eye from the foreground figure to the horse, highlighting the central role of these animals in Parisian life, whether in sport, transport, or leisure. Created in 1898, this work reflects the artist's ongoing fascination with the varied spectacles of urban existence, from the grand to the more subdued.
- Artist
- Henri de Toulouse-Lautrec
- Date
- 1898
- Medium
- Lithograph on cream wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 28.8 × 24.2 cm (11 3/8 × 9 9/16 in.); Sheet: 64.1 × 49.4 cm (25 1/4 × 19 1/2 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Gift of Mr. & Mrs. Cyrus H. Adams
What to Notice
Four details hide in plain sight. Here’s where to look.

The man's focused expression and elegant top hat.
The way the horse and rider are subtly blurred in the distance.
The delicate lines and shading typical of a lithograph.
The cream wove paper that lends a soft, warm tone to the image.
Stand in front of it and listen
The full narration walks you through The Horse Fancier — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Henri de Toulouse-Lautrec
1864–1901 · FranceHenri de Toulouse-Lautrec, the aristocratic artist of fin-de-siècle Paris, immortalized the vibrant, often scandalous, life of Montmartre's cabarets and brothels.
Further Works by de Toulouse-Lautrec
Equestrienne (At the Cirque Fernando)
1887 · Art Institute of Chicago
Moulin de la Galette
1889 · Art Institute of Chicago
At the Moulin Rouge
1892 · Art Institute of Chicago
Albert (René) Grenier (1858–1925)
1887 · The Metropolitan Museum of Art
Woman in the Garden of Monsieur Forest
1889 · The Metropolitan Museum of Art
The Streetwalker
1890 · The Metropolitan Museum of Art
Henri-Gabriel Ibels (1867–1936)
1892 · The Metropolitan Museum of Art
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge
1892 · The Metropolitan Museum of Art
More from Post-Impressionism
More works to explore
Beyond de Toulouse-Lautrec and Post-Impressionism: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
Rue de l'Epicerie, Rouen (Effect of Sunlight)
Camille Pissarro · 1898 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Water Lilies
Claude Monet · 1898 · Kagoshima City Museum of Art
Same era · 1880s–1910s
Jean Renoir Sewing
Pierre-Auguste Renoir · 1899 · Art Institute of Chicago
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum
Same era · 1880s–1910s
Two Tahitian Women
Paul Gauguin · 1899 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Maternal Caress
Mary Cassatt · 1896 · Philadelphia Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago




