“Stop to appreciate how Berthe Morisot, a leading Impressionist, brings a humble duck to life with delicate lines and textures, transforming a simple subject into a captivating study of nature.”
In this intimate etching, Berthe Morisot captures a moment of quiet domesticity, a hallmark of her Impressionist style. A duck, its form rendered with soft, feathery lines, dominates the foreground, its head turned slightly as if caught mid-thought. The drypoint technique, visible in the delicate burr around the lines, gives the bird's plumage a tactile quality, almost inviting a touch. Morisot often focused on the lives of women and children, but here she turns her gaze to an animal, elevating a simple creature to a subject of contemplation. The background, suggested with a few loose strokes, hints at a natural setting, perhaps a garden or a pond, without distracting from the central figure. This small print offers a glimpse into Morisot's keen observation and her ability to find beauty in everyday scenes, even those involving an unassuming farm animal.
- Artist
- Berthe Morisot
- Date
- 1888
- Medium
- etching and drypoint
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Prints
- Culture
- France, 19th century
- Credit line
- Bequest of Gordon K. Mott
What to Notice
Four details hide in plain sight. Here’s where to look.

The soft, blurred edges created by the drypoint technique.
The delicate texture of the duck's feathers, especially on its neck and head.
The way the duck's eye seems to hold a gentle, lifelike gaze.
The minimal background, which keeps the focus entirely on the duck.
Stand in front of it and listen
The full narration walks you through The Duck — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Berthe Morisot
1841–1895 · FranceBerthe Morisot, a pioneering Impressionist, captured intimate domestic scenes and landscapes, often featuring women and children, with a luminous touch.
Further Works by Morisot
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
1870 · Metropolitan Museum of Art
Woman at Her Toilette
1877 · Art Institute of Chicago
Woman in a Garden
1882 · Art Institute of Chicago
Young Woman Knitting
1883 · Metropolitan Museum of Art
Forêt de Compiègne
1885 · Art Institute of Chicago
Young Girl with Hat
1891 · Art Institute of Chicago
Young Woman at Rest
1889 · Cleveland Museum of Art
Young Woman Seated on a Sofa
1879 · Metropolitan Museum of Art
More from Impressionism
More works to explore
Beyond Morisot and Impressionism: works from the same years.
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Arlésiennes (Mistral)
Paul Gauguin · 1888 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
Paul Cézanne · 1888 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Rocks at Port-Goulphar, Belle-Île
Claude Monet · 1886 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890




