Hands in the hair
Look at the raised arms and hands twisting the hair up into a bun. The pose is private and absorbed, as if no one were watching.

“This print captures a private moment of a woman styling her hair, showing a clear influence from Japanese woodblock prints in its elegant lines and flattened perspective. It's a quiet, intimate scene that invites you to appreciate beauty in the everyday.”
In this intimate print, a woman sits with her back to us, her head tilted as she carefully adjusts her hair. The soft, muted tones and delicate lines of drypoint and aquatint create a sense of quiet concentration. The composition, with its emphasis on the figure's silhouette and the flattened perspective, immediately brings to mind Japanese woodblock prints. Indeed, this work was created after its maker saw a major exhibition of Japanese ukiyo-e prints in Paris, which profoundly influenced her approach to depicting women in everyday activities. By focusing on a private moment of self-care, this print elevates a common domestic scene, inviting us to appreciate the subtle beauty in routine. The abstraction of the figure's form, a deliberate choice inspired by Japanese aesthetics, allows for a focus on line and shape rather than explicit realism, subtly challenging the conventional male gaze prevalent in 19th-century art.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Look at the raised arms and hands twisting the hair up into a bun. The pose is private and absorbed, as if no one were watching.
The tall mirror on the right repeats the woman from the front, showing her lowered face, which her back view hides from us.
The smooth back is left in pale tan with very little modeling. The bare skin is shown plainly, in a quiet domestic moment of dressing.
The red and cream stripes on the chair are broad, uneven patches of tone with ragged edges, so they look almost brushed on.
Look at the white skirt, where thin, scratchy lines trace the folds. The cloth is mostly bare paper with just a few lines.
The full narration walks you through The Coiffure — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Mary Cassatt, an American painter and printmaker, captured the intimate world of women and children with remarkable tenderness, often exhibiting with the Impressionists in France.
After the Bullfight
1873 · Art Institute of Chicago
On a Balcony
1879 · Art Institute of Chicago
The Child's Bath
1893 · Art Institute of Chicago
Maternal Caress
1896 · Philadelphia Museum of Art
Nurse and Child
1896 · The Metropolitan Museum of Art
Lydia and Her Mother at Tea
1875 · Cleveland Museum of Art
In the Omnibus
1890 · Cleveland Museum of Art
After the Bath
1901 · Cleveland Museum of Art
Young Spartan Girls Challenging Boys
Degas · 1860 · Art Institute of Chicago
Alfred Sisley
Renoir · 1864 · Foundation E.G. Bührle Collection
Sea View, Calm Weather (Vue de mer, temps calme)
Manet · 1864 · Art Institute of Chicago
The Banks of the Marne in Winter
Pissarro · 1866 · Art Institute of Chicago
Beyond Cassatt and Impressionism: works from the same years, and from the other movements The Coiffure belongs to.
Same movement · Tonalism
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1870s–1900s
Mr. Loulou (Louis Le Ray)
Paul Gauguin · 1890 · Barnes Foundation
Same era · 1870s–1900s
Rocks at Fontainebleau
Paul Cézanne · 1890 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Stacks of Wheat (End of Day, Autumn)
Claude Monet · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
The Streetwalker
Henri de Toulouse-Lautrec · 1890 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago