The Coiffure by Mary Cassatt

The Coiffure

Mary Cassatt · 1890

Scroll

“This print captures a private moment of a woman styling her hair, showing a clear influence from Japanese woodblock prints in its elegant lines and flattened perspective. It's a quiet, intimate scene that invites you to appreciate beauty in the everyday.”

ABOUT THIS WORK

In this intimate print, a woman sits with her back to us, her head tilted as she carefully adjusts her hair. The soft, muted tones and delicate lines of drypoint and aquatint create a sense of quiet concentration. The composition, with its emphasis on the figure's silhouette and the flattened perspective, immediately brings to mind Japanese woodblock prints. Indeed, this work was created after its maker saw a major exhibition of Japanese ukiyo-e prints in Paris, which profoundly influenced her approach to depicting women in everyday activities. By focusing on a private moment of self-care, this print elevates a common domestic scene, inviting us to appreciate the subtle beauty in routine. The abstraction of the figure's form, a deliberate choice inspired by Japanese aesthetics, allows for a focus on line and shape rather than explicit realism, subtly challenging the conventional male gaze prevalent in 19th-century art.

DETAILS
Artist
Mary Cassatt
Date
1890
Medium
drypoint and aquatint
Location
Cleveland Museum of Art
Dimensions
[object Object]
Collection
Prints
Culture
America
Credit line
Bequest of Charles T. Brooks
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

The Coiffure

← → step through · Esc to close
5 details are marked · pick a number
01

Hands in the hair

Look at the raised arms and hands twisting the hair up into a bun. The pose is private and absorbed, as if no one were watching.

1 of 5 on the painting
02

The mirror reflection

The tall mirror on the right repeats the woman from the front, showing her lowered face, which her back view hides from us.

2 of 5 on the painting
03

Bare back

The smooth back is left in pale tan with very little modeling. The bare skin is shown plainly, in a quiet domestic moment of dressing.

3 of 5 on the painting
04

Striped chair

The red and cream stripes on the chair are broad, uneven patches of tone with ragged edges, so they look almost brushed on.

4 of 5 on the painting
05

Fine drypoint lines

Look at the white skirt, where thin, scratchy lines trace the folds. The cloth is mostly bare paper with just a few lines.

5 of 5 on the painting
AUDIO DEEP DIVE

Stand in front of it and listen

The full narration walks you through The Coiffure — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.

0:00Preview · 0:30Free preview · 0:30 Hear the full story in the app
THE ARTIST

Mary Cassatt

1844–1926 · United States

Mary Cassatt, an American painter and printmaker, captured the intimate world of women and children with remarkable tenderness, often exhibiting with the Impressionists in France.

Read Cassatt’s full story
MORE FROM THIS ARTIST

Further Works by Cassatt

1 / 2
EXPLORE THE MOVEMENT

More from Impressionism

1 / 1
KEEP EXPLORING

More works to explore

Beyond Cassatt and Impressionism: works from the same years, and from the other movements The Coiffure belongs to.

Hear The Coiffure’s storyFree in the Art Whisper app Open