Ten past one...

Félix Vallotton, 1901

MEDIUMcolor lithograph
DIMENSIONS[object Object]
LOCATIONCleveland Museum of Art
COLLECTIONPrints
CULTUREFrance, 19th century
CREDIT LINEBequest of John Bonebrake

Step into a quiet moment from 1901 with Félix Vallotton's 'Ten past one...,' a color lithograph that captures a slice of early 20th-century life with the artist's signature blend of realism and subtle drama, just as he pivoted from printmaking to painting.

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ABOUT THIS WORK

Félix Vallotton's 'Ten past one...' is a captivating color lithograph from 1901, a year that marked a shift in the artist's prolific career. While Vallotton gained international recognition for his innovative woodcuts, characterized by their bold masses of black and white and simplified forms, he largely transitioned away from printmaking after 1901 to focus on painting. This piece, therefore, stands as a testament to his mastery of printmaking at the cusp of this change. Vallotton, a member of the Symbolist group Les Nabis, was known for his unemotional, realistic style, often depicting intimate domestic scenes or candid observations of modern life. His earlier woodcut series, 'Intimacies,' explored the complexities of human relationships within interior settings, and 'Ten past one...' likely continues this exploration, inviting viewers to ponder the narrative unfolding within its frame. The use of color lithography, as opposed to his more characteristic woodcuts, suggests a nuanced approach to capturing mood and detail, offering a glimpse into the emotional undercurrents of the early 20th century.

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What to Notice

1

The precise time indicated on the clock

2

The subtle color palette, characteristic of lithography

3

The figures' expressions and body language

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Audio Deep Dive

Step into a quiet moment from 1901 with Félix Vallotton's 'Ten past one...,' a color lithograph that captures a slice of early 20th-century life with the artis…

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THE ARTIST
Félix Vallotton 1865–1925 · Switzerland

Félix Vallotton, 'The Foreign Nabi,' masterfully blended stark realism with the bold simplification of the modern woodcut, capturing intimate domestic dramas and Parisian life.

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