Nude Combing Her Hair by Félix Vallotton

Nude Combing Her Hair

Félix Vallotton · 1916

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“Observe the striking contrasts and simplified forms in this intimate yet detached nude. Vallotton's painting draws you in with its bold outlines and a cool, almost clinical observation of the human figure.”

ABOUT THIS WORK

In "Nude Combing Her Hair," a woman sits with her back to us, her body a study in simplified forms. The scene is intimate, yet there's a certain detachment, a characteristic often found in works by Félix Vallotton. Her skin, rendered in smooth, almost porcelain tones, contrasts sharply with the deep shadows that define the room's corners and the dark mass of her hair. This starkness, a hallmark of the Nabis movement he was associated with, emphasizes line and flat areas of color over realistic modeling. The painting, created in 1916, reflects a shift from his earlier, more graphic woodcut style towards a greater focus on painting, yet retains a powerful, almost graphic quality in its composition. The deliberate lack of emotional expression invites the viewer to consider the formal elements of the painting itself, rather than projecting a narrative onto the figure.

DETAILS
Artist
Félix Vallotton
Date
1916
Medium
Oil on canvas
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What to Notice

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Nude Combing Her Hair

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01

Raised arms

Both arms bend up behind the head, forming a loose frame around the hidden face. The pose turns a private grooming moment into a strong shape.

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02

Fiery red hair

The dark red hair falls in heavy hanging locks on the left. Its deep tones push the pale body forward.

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03

Hatched skin strokes

Look at the back, where long parallel strokes of yellow, pink and green build the skin. The flesh reads as vibrating colour rather than smooth blending, a handling typical of pastel.

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04

Curled legs

The bent legs and tucked foot at lower left curve around the body and anchor the figure to the floor. Her back is turned, so we watch her unobserved.

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05

Speckled blue background

At the top right, flecks of blue and orange scatter across the wall. They make the background shimmer and set off the warm flesh by contrast.

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THE ARTIST

Félix Vallotton

1865–1925 · Switzerland

Félix Vallotton, 'The Foreign Nabi,' masterfully blended stark realism with the bold simplification of the modern woodcut, capturing intimate domestic dramas and Parisian life.

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