“Stop to see a vivid snapshot of travel on Japan's historic Tokaido Road, where human activity meets a dramatic mountain landscape, brought to life with striking colors and a sense of movement.”
In this dynamic woodblock print, a bustling scene unfolds on the Tokaido Road at Saka no Shita. You can almost feel the chill in the air as travelers, some on foot and others in palanquins, navigate a steep, winding path through a mountainous landscape. The vibrant colors, particularly the deep blues and greens, capture the distinct atmosphere of a specific time and place. A sense of movement pervades the composition, from the swirling mist that partially obscures the distant peaks to the figures making their way up and down the incline. This print comes from a celebrated series that captured the diverse landscapes and human activity along Japan's most important highway, offering a window into the daily life and natural beauty encountered on such journeys in the 19th century.
- Artist
- Utagawa Hiroshige
- Date
- 1830
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the winding path draws your eye into the scene.
The detailed expressions and postures of the travelers.
The mist and clouds that soften the distant mountain ridges.
The subtle color gradations (bokashi) in the sky and landscape.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through 東海道五十三次 坂の下|Saka no Shita — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Two Women with a Letter
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
