“This etching captures the quiet dignity of rural life, showing two peasants heading to work at dawn. The artist uses a low horizon and expansive sky to emphasize their connection to the land and the scale of their daily labor.”
A man and a woman walk into the distance, their backs mostly to us, silhouetted against a vast, low horizon. This etching and drypoint, created in 1863, captures a moment of quiet labor as peasants head to their fields at dawn. The artist emphasizes the human connection to the land, showing the figures as integral to the landscape itself, rather than separate from it. Their forms are solid and grounded, conveying a sense of enduring toil and dignity. The soft, warm grayish paper adds to the muted, early morning atmosphere, suggesting the cool air before the sun fully rises. The composition, with its expansive sky and deep perspective, draws the viewer into the scene, inviting contemplation of their daily journey.
- Artist
- Jean-François Millet
- Date
- 1863
- Medium
- Etching and drypoint on warm grayish wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image/plate: 38.4 × 30.8 cm (15 1/8 × 12 3/16 in.); Sheet: 45.7 × 37.2 cm (18 × 14 11/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Gift of Mr. and Mrs. Martin A. Ryerson
What to Notice
Five details hide in plain sight. Here’s where to look.

The man’s scythe, a tool of his labor, held over his shoulder.
The woman’s basket, likely containing food for the day.
The subtle texture of the drypoint lines, especially in the sky.
The faint outlines of distant trees on the horizon.
1 more detail is waiting.
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Jean-François Millet
1814–1875 · FranceJean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings.
Further Works by Millet
Young Woman
1844 · Art Institute of Chicago
Woman Feeding Chickens
1850 · Art Institute of Chicago
The Sheepshearers
1857 · Art Institute of Chicago
Peasants Bringing Home a Calf Born in the Fields
1864 · Art Institute of Chicago
In the Auvergne
1866 · Art Institute of Chicago
The Little Shepherdess
1870 · Art Institute of Chicago
Two Men Digging
1855 · Art Institute of Chicago
The Shepherdess Knitting
1862 · Art Institute of Chicago
More from Realism
More works to explore
Beyond Millet and Realism: works from the same years, and from the other movements Peasants Going to Work belongs to.
Same movement · Barbizon school
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same movement · Naturalism
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same movement · Naturalism
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Honoré Daumier · 1856 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Naturalism
Souvenir of Tuscany
Jean Baptiste Camille Corot · 1845 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Mount Madison from the Androscoggin River
William Hart · 1862
Same era · 1840s–1870s
Rêverie (Portrait of Gabrielle Borreau)
Gustave Courbet · 1862 · Art Institute of Chicago
Same era · 1840s–1870s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston



