“This print captures a lively moment on the Sumida River in Edo, showing a crowded ferry and numerous smaller boats under a dramatic sky. It offers a vivid glimpse into daily life and transportation in 19th-century Japan.”
In this vibrant print, a bustling scene unfolds along the Sumida River in Edo (modern-day Tokyo). You can almost hear the shouts of the boatmen and the chatter of the passengers. A large, flat-bottomed ferry dominates the foreground, its deck crowded with people from all walks of life, some shaded by wide straw hats. Beyond them, the river teems with activity: smaller boats, some with sails unfurled, navigate the currents. The distant bank features a scattering of buildings, their roofs peeking out from behind a line of trees, suggesting the vastness of the city. The sky, a striking gradient of blue, hints at either dawn or dusk, casting a soft light over the entire panorama and highlighting the intricate details of the figures and vessels.
- Artist
- Utagawa Hiroshige 歌川広重
- Date
- 1857
- Medium
- Color woodblock print; oban
- Location
- Art Institute of Chicago
- Dimensions
- 36.3 × 24.5 cm (14 1/4 × 9 5/8 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The variety of passengers on the large ferry, from merchants to women with children.
The delicate ripples on the water's surface, reflecting the boats and sky.
The subtle shift in the blue of the sky, from deep at the top to lighter near the horizon.
The small, almost hidden details of distant buildings along the riverbank.
Stand in front of it and listen
The full narration walks you through Oumayagashi, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by 歌川広重
Macaw on a pine branch
1830 · Art Institute of Chicago
No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
1833 · Art Institute of Chicago
Snow at Akabane Bridge in Shiba (Shiba Akabane no yuki), from the series "Famous Places in the Eastern Capital (Toto meisho)"
1838 · Art Institute of Chicago
More works to explore
Beyond 歌川広重: works from the same years.
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
Woman in a Riding Habit (L'Amazone)
Gustave Courbet · 1856 · Metropolitan Museum of Art
Same era · 1840s–1870s
Birches
William Hart · 1855 · Museum of Fine Arts Boston
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
