“This print transports you to the Sumida River in Edo (modern Tokyo), capturing a serene yet grand view of daily life and monumental architecture along its banks, rendered with a poetic touch.”
A lone boatman guides his small vessel across the Sumida River, dwarfed by the massive, curved roof of a building that dominates the right side of this woodblock print. The building's scale, emphasized by the tiny human figures gathered on its elevated platform, suggests its importance, perhaps a grand temple or a public structure along the riverbank. The river itself, rendered in soft, rippling blues, stretches towards a distant, hazy shoreline, hinting at the vastness of the Edo landscape. This scene captures a moment of quiet industry and monumental architecture, a common yet striking view along the bustling waterways of old Edo. The subtle use of color, particularly the gradations of blue in the water and sky, creates a serene atmosphere, a hallmark of landscape prints from this period.
- Artist
- Utagawa Hiroshige
- Date
- 1847
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 14 3/4 in. (37.5 cm); W. 10 1/8 in. (25.7 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The tiny figures on the platform, showing the building's immense size.
The single boatman, a small but central element of the scene.
The gentle ripples and color variations in the river's surface.
The distant, low-lying land across the water, almost lost in mist.
Stand in front of it and listen
The full narration walks you through 名所江戸百景 御厩河岸|Ommayagashi, Sumida River — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1830s–1860s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1830s–1860s
Portrait of Fred Adelbert Haywood
School of William Matthew Prior · 1848 · Art Institute of Chicago
