“Stop to feel the wind in this dramatic print of a traveler battling the elements on Japan's historic Tokaido Road. It's a vivid snapshot of a journey, full of movement and atmosphere.”
In this dynamic woodblock print, a lone traveler on horseback navigates the winding coastal road at Okitsu, one of the fifty-three stations along the historic Tokaido route. The journey is fraught with peril, as a powerful gust of wind whips through the scene, threatening to unseat the rider and lift the straw hat from his head. The horse, too, braces against the unseen force, its legs planted firmly. This isn't just a picturesque landscape; it captures a visceral moment of struggle against nature's elements. The artist, Utagawa Hiroshige, masterfully uses the small format to amplify the drama, drawing the viewer into the immediate experience of the traveler. The turbulent air is almost palpable, a testament to the artist's ability to convey movement and atmosphere with ink and color on paper.
- Artist
- Utagawa Hiroshige
- Date
- 1828
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The traveler’s straw hat, caught mid-air by the wind.
The horse’s strained posture, resisting the powerful gust.
The way the trees bend sharply to the left, indicating wind direction.
The subtle gradations of blue in the sky and water, creating depth.
Stand in front of it and listen
The full narration walks you through 東海道五十三次 興津|Okitsu — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Chichester Canal
J. M. W. Turner · 1829 · National Trust
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
