東海道五十三次之内 岡部 宇津の山之図|Okabe by Utagawa Hiroshige

東海道五十三次之内 岡部 宇津の山之図|Okabe

Utagawa Hiroshige · 1832

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“Stop to appreciate this print's vivid portrayal of a challenging mountain pass on Japan's historic Tokaido Road, where nature's power shapes the journey for weary travelers. It's a striking example of how landscape prints captured the spirit of travel.”

ABOUT THIS WORK

This woodblock print captures a dramatic moment on the old Tokaido Road, as travelers navigate a perilous mountain pass. You can almost feel the chill in the air as a strong wind whips through the Utsu-no-yama mountain, bending the trees and tugging at the robes of the figures. A narrow, winding path, barely wider than the figures themselves, snakes through the dense, dark green foliage. The scene is shrouded in a hazy, almost mystical atmosphere, with the distant peaks fading into a soft, indeterminate sky. This work, from the famed "Fifty-three Stations of the Tokaido" series, shows how the journey itself, with its natural challenges and varying moods, became a compelling subject for art in 19th-century Japan.

DETAILS
Artist
Utagawa Hiroshige
Date
1832
Medium
Woodblock print; ink and color on paper
Location
The Metropolitan Museum of Art
Dimensions
9 1/8 x 13 23/32 in. (23.2 x 34.9 cm)
ART MOVEMENTS
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What to Notice

Four details hide in plain sight. Here’s where to look.

東海道五十三次之内 岡部 宇津の山之図|Okabe
01

The strong diagonal lines of the wind-swept trees.

02

The way the path narrows, emphasizing the tight squeeze through the mountain.

03

The varied expressions and postures of the travelers battling the wind.

04

The subtle color gradations (bokashi) in the sky and distant mountains.

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THE ARTIST

Utagawa Hiroshige

1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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