“Stop to appreciate this print's vivid portrayal of a challenging mountain pass on Japan's historic Tokaido Road, where nature's power shapes the journey for weary travelers. It's a striking example of how landscape prints captured the spirit of travel.”
This woodblock print captures a dramatic moment on the old Tokaido Road, as travelers navigate a perilous mountain pass. You can almost feel the chill in the air as a strong wind whips through the Utsu-no-yama mountain, bending the trees and tugging at the robes of the figures. A narrow, winding path, barely wider than the figures themselves, snakes through the dense, dark green foliage. The scene is shrouded in a hazy, almost mystical atmosphere, with the distant peaks fading into a soft, indeterminate sky. This work, from the famed "Fifty-three Stations of the Tokaido" series, shows how the journey itself, with its natural challenges and varying moods, became a compelling subject for art in 19th-century Japan.
- Artist
- Utagawa Hiroshige
- Date
- 1832
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 9 1/8 x 13 23/32 in. (23.2 x 34.9 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The strong diagonal lines of the wind-swept trees.
The way the path narrows, emphasizing the tight squeeze through the mountain.
The varied expressions and postures of the travelers battling the wind.
The subtle color gradations (bokashi) in the sky and distant mountains.
Stand in front of it and listen
The full narration walks you through 東海道五十三次之内 岡部 宇津の山之図|Okabe — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Golden Bough
J. M. W. Turner · 1834 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
