North end of Lacock Abbey

William Henry Fox Talbot, 1840

MEDIUMSalted paper print from paper negative
DIMENSIONSImage: 17.6 x 18.8 cm (6 15/16 x 7 3/8 in.)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONPhotographs
CREDIT LINEHarris Brisbane Dick Fund, 1936

This early photograph by William Henry Fox Talbot, taken at his ancestral home, Lacock Abbey, showcases his pioneering salted paper print process and his keen eye for architectural detail and light.

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ABOUT THIS WORK

William Henry Fox Talbot, a true pioneer of photography, captured this serene image of the "North end of Lacock Abbey" in 1840, just a year after publicly announcing his photographic discoveries. This work is a salted paper print, a testament to his groundbreaking invention of the salted paper and calotype processes. Lacock Abbey, his ancestral home in Wiltshire, England, was a frequent subject for Talbot, serving as a laboratory and inspiration for many of his early photographic experiments. He often photographed various architectural elements, showcasing the unique ability of his new medium to record intricate details and the play of light and shadow. This particular piece, created early in photography's history, exemplifies his dedication to transforming natural objects into self-delineated images, a concept he explored in his influential publication, *The Pencil of Nature* (1844–1846). The choice of a familiar, personal subject like Lacock Abbey allowed Talbot to refine his techniques and demonstrate the artistic potential of photography, moving beyond mere scientific documentation.

LOOK CLOSER

What to Notice

1

The delicate interplay of light and shadow on the stone.

2

The texture of the ancient abbey walls.

3

The subtle details captured by the early photographic process.

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Audio Deep Dive

This early photograph by William Henry Fox Talbot, taken at his ancestral home, Lacock Abbey, showcases his pioneering salted paper print process and his keen…

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THE ARTIST
William Henry Fox Talbot 1800–1877 · Kingdom of Great Britain

The man who invented the negative-positive process, making every photograph ever printed possible.

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