Bromus Maximus, Genoa by William Henry Fox Talbot

Bromus Maximus, Genoa

William Henry Fox Talbot · 1839

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“Stop and observe one of the earliest botanical photographs ever made. This image of *Bromus Maximus* reveals the pioneering spirit of photography, capturing nature's intricate details with groundbreaking precision.”

ABOUT THIS WORK

This early photographic print captures a single stalk of Bromus Maximus, a type of brome grass, presented with remarkable clarity against a soft, indeterminate background. Created in Genoa in 1839, the image is a testament to the nascent days of photography, showcasing the medium's ability to render botanical specimens with scientific precision and artistic grace. The delicate fronds and seed heads of the grass are silhouetted, revealing intricate textures and forms that might be overlooked in nature. This work is an example of a "photogenic drawing," a process pioneered by William Henry Fox Talbot, where light directly imprints the image onto chemically treated paper. The slightly irregular trimming of the print highlights its handmade quality, a characteristic of these early experiments. It invites a close examination, offering a quiet moment of contemplation on the beauty of a simple plant.

DETAILS
Artist
William Henry Fox Talbot
Date
1839
Medium
Salted paper print
Location
The Metropolitan Museum of Art
Dimensions
22.5 x 18.8 cm (8 7/8 x 7 3/8 in.), irregularly trimmed
Collection
Photographs
Credit line
Harris Brisbane Dick Fund, 1936
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Bromus Maximus, Genoa

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01

Pale grass spray

The whole plant glows pale against the tan ground. Its bristled seed heads fan upward, a ghostly outline made by laying the plant on light-sensitive paper rather than drawing it.

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02

Fine bristles

Follow the hair-thin awns fanning from the top seed heads. They stay crisp and separate, which suggests the plant lay flat against the paper.

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03

Diagonal left spike

On the left, a long spike sweeps down toward the stem. It breaks the upward symmetry and pulls your eye across the sheet.

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04

Stains and blotches

Look at the mottled brown clouds and small rust-colored specks across the sheet. They are likely signs of age and the uneven handmade process.

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05

Handwritten caption

Below the print, a faint handwritten inscription sits on the album page. It suggests the picture was kept as a botanical record as well as an image.

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THE ARTIST

William Henry Fox Talbot

1800–1877 · Kingdom of Great Britain

The man who invented the negative-positive process, making every photograph ever printed possible.

Read Talbot’s full story
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