1. Aglio. 2. Cestro. 3. Poa. by William Henry Fox Talbot

1. Aglio. 2. Cestro. 3. Poa.

William Henry Fox Talbot · 1839

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“This salted paper print from 1839 offers a rare glimpse into the very beginnings of photography, capturing botanical specimens with a scientific precision that was revolutionary for its time.”

ABOUT THIS WORK

This early photograph, titled "1. Aglio. 2. Cestro. 3. Poa.", captures three distinct botanical specimens, meticulously arranged and pressed against a light-sensitive paper. The plants themselves appear as ghostly silhouettes, their delicate forms rendered in varying shades of dark gray against a pale background. The process, known as a photogenic drawing, directly records the light blocked by the plants, revealing the intricate network of veins in the leaves and the subtle textures of their stems. Created in 1839, this image is a testament to the scientific curiosity that drove early photographic experimentation, transforming common flora into objects of careful study and quiet beauty. It demonstrates an early application of photography to scientific documentation, a pursuit that would become central to the medium's development.

DETAILS
Artist
William Henry Fox Talbot
Date
1839
Medium
Salted paper print
Location
The Metropolitan Museum of Art
Dimensions
20.9 x 16.8 cm (8 1/4 x 6 5/8 in.), irregularly trimmed
Collection
Photographs
Credit line
Harris Brisbane Dick Fund, 1936
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What to Notice

Four details hide in plain sight. Here’s where to look.

1. Aglio. 2. Cestro. 3. Poa.
01

Observe the delicate, almost translucent quality of the leaves.

02

See the fine network of veins visible in the larger plant specimen.

03

Note the subtle variations in tone, from dark outlines to softer gray areas.

04

Look at the irregular, hand-trimmed edges of the paper.

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THE ARTIST

William Henry Fox Talbot

1800–1877 · Kingdom of Great Britain

The man who invented the negative-positive process, making every photograph ever printed possible.

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