Nicolaas Henneman in Profile

William Henry Fox Talbot, 1843

MEDIUMSalted paper print from paper negative
DIMENSIONSImage: 3 3/16 × 2 1/2 in. (8.1 × 6.4 cm)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONPhotographs
CREDIT LINEBequest of Maurice B. Sendak, 2012

This early photograph by William Henry Fox Talbot, a pioneer of photography, captures his assistant Nicolaas Henneman. It exemplifies the delicate beauty and innovative 'salted paper print' technique that revolutionized image-making in the 19th century.

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ABOUT THIS WORK

This intimate salted paper print captures Nicolaas Henneman, William Henry Fox Talbot's trusted assistant, in profile. Created in 1843, the same year Talbot was actively experimenting and refining his photographic processes, this portrait showcases the delicate tonality and subtle detail characteristic of his early work. Talbot, a true polymath and pioneer of photography, had only a few years prior asserted his invention of 'photogenic drawing' to the Royal Society, a precursor to the salted paper and calotype processes. Henneman, a former valet, became indispensable to Talbot, assisting him with experiments at Lacock Abbey and later managing Talbot's photographic printing establishment in Reading. This portrait is a testament to the collaborative spirit of early photography and the innovative techniques Talbot developed, which allowed for the creation of multiple positive prints from a single paper negative, a significant departure from the unique daguerreotype.

LOOK CLOSER

What to Notice

1

Henneman's sharp profile against a soft background

2

Subtle variations in light and shadow

3

The texture of the paper, a hallmark of early prints

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Audio Deep Dive

This early photograph by William Henry Fox Talbot, a pioneer of photography, captures his assistant Nicolaas Henneman. It exemplifies the delicate beauty and i…

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THE ARTIST
William Henry Fox Talbot 1800–1877 · Kingdom of Great Britain

The man who invented the negative-positive process, making every photograph ever printed possible.

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