“Stop to appreciate the delicate yet powerful presence of this man in a straw hat. It's a rare chance to see how the artist used watercolor to build form and emotion, revealing the underlying structure of his vision.”
A man in a straw hat gazes out from this watercolor, his face a mosaic of cool blues, greens, and warm ochres. This portrait, created late in the artist's life, captures a sense of quiet introspection. The sitter's features are rendered with both precision and an almost abstract quality, built up through delicate washes of color. Notice how the graphite lines, visible beneath the watercolor, structure the form, creating a dialogue between drawing and painting. The background is minimally defined, allowing the focus to remain entirely on the figure, particularly the expressive brushwork around his eyes and the brim of his hat. This intimate scale and the fluid medium reveal a different facet of the artist's approach, distinct from his better-known oil paintings, yet still preoccupied with breaking down forms into their essential elements.
- Artist
- Paul Cézanne
- Date
- 1905
- Medium
- Watercolor with graphite on white wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 47.9 × 31.5 cm (18 7/8 × 12 7/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Gift of Janis H. Palmer in memory of Pauline K. Palmer
What to Notice
Five details hide in plain sight. Here’s where to look.

The visible graphite lines beneath the watercolor washes.
The cool blue and green tones defining the planes of the man's face.
The way the hat brim is suggested with a few bold strokes.
The almost abstract quality of the background, isolating the figure.
1 more detail is waiting.
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Paul Cézanne
1839–1906 · FrancePaul Cézanne, the French Post-Impressionist, built a bridge from Impressionism to Cubism, transforming how we see apples and landscapes.
Further Works by Cézanne
Gustave Boyer (b. 1840) in a Straw Hat
1870 · The Metropolitan Museum of Art
The Fishermen (Fantastic Scene)
1875 · Metropolitan Museum of Art
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
1888 · The Metropolitan Museum of Art
Rocks at Fontainebleau
1890 · The Metropolitan Museum of Art
Mont Sainte-Victoire
1904 · Detroit Institute of Arts
Auvers, Panoramic View
1874 · Art Institute of Chicago
The Plate of Apples
1877 · Art Institute of Chicago
Montagne Sainte-Victoire (The Arc Valley)
1880 · Art Institute of Chicago
More from Post-Impressionism
More works to explore
Beyond Cézanne and Post-Impressionism: works from the same years.
Same era · 1890s–1920s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1890s–1920s
Barber
Mikhail Larionov · 1907 · Russian Museum
Same era · 1890s–1920s
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Self-Portrait
Pablo Picasso · 1906 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Still Life with Geranium
Henri Matisse · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1890s–1920s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Haystacks, Morning, Eragny
Camille Pissarro · 1899 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Jean Renoir Sewing
Pierre-Auguste Renoir · 1899 · Art Institute of Chicago




