“Step into an 18th-century vision of an Egyptian market. This copperplate-printed fabric captures a vibrant, exotic scene, bringing the world to your home without leaving it.”
This vibrant cotton fabric, known as "The Cairo Fair," transports us to a bustling market scene in late 18th-century Egypt. Look closely at the intricate details, all rendered in a single color, a testament to the copperplate printing technique used. This method allowed for fine lines and rich tonal variations, creating a sense of depth and movement across the textile. Merchants display their wares, figures in flowing robes converse, and animals add to the animated atmosphere. Such exotic scenes were highly fashionable in Europe during this period, offering a glimpse into distant lands and cultures. This piece would have adorned a home, perhaps as drapery or upholstery, bringing a touch of the fantastical into everyday life.
- Artist
- Favre-Petitpierre et cie
- Date
- 1785
- Medium
- Cotton, copperplate printed
- Location
- The Metropolitan Museum of Art
- Dimensions
- 86 x 37 in. (218.4 x 94cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the bustling crowd of figures, each engaged in a different activity.
Spot the camels and other animals amidst the market stalls.
Notice the architectural details, like the archways and minarets.
Look for the intricate patterns on the textiles and clothing.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through La Foire du Caire (The Cairo Fair) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Favre-Petitpierre et cie
French textile firm that turned cotton yardage into narrative art, printing Homer and Napoleon onto your curtains.
Further Works by cie
"Venus à sa Toilette"
1770 · The Metropolitan Museum of Art
"Battle between the Héros and the Superb"
1778 · The Metropolitan Museum of Art
"La Maison Brulante"
1780 · The Metropolitan Museum of Art
"Le Port de Cherbourg"
1781 · The Metropolitan Museum of Art
"Panurge dans l'île des lanternes"
1781 · The Metropolitan Museum of Art
"Le Combat de la Motte-Picquet à la Martinique"
1783 · The Metropolitan Museum of Art
"Tomb of Rousseau"
1785 · The Metropolitan Museum of Art
Les Champs Elysées or L'Escamoteur
1797 · The Metropolitan Museum of Art
More works to explore
Beyond cie: works from the same years.
Same era · 1770s–1800s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1770s–1800s
Mr Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1770s–1800s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1770s–1800s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1770s–1800s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
