“This furnishing fabric captures a thrilling moment of a tightrope walker performing for an absorbed 18th-century crowd, bringing the excitement of a public spectacle into domestic decor.”
A daring tightrope walker, balanced on one foot, captivates a crowd in this lively furnishing fabric. Her parasol, held high, adds to the precarious elegance of the scene. Below, spectators in fashionable 18th-century attire gaze upwards, some with expressions of awe, others seemingly ready to catch her should she fall. The artist, Favre-Petitpierre et cie, used copperplate printing to create this intricate design, allowing for the fine lines and detailed textures visible in the figures' clothing and the surrounding architecture. This technique, popular for its ability to reproduce complex scenes, made such elaborate patterns accessible for decorating homes. The fabric itself, a plain weave cotton, would have brought a sense of theatricality and entertainment into a domestic space, reflecting the era's fascination with public spectacles and leisurely pursuits.
- Artist
- Favre-Petitpierre et cie
- Date
- 1780
- Medium
- Cotton, plain weave; copperplate printed
- Location
- Art Institute of Chicago
- Dimensions
- 138.5 × 83.3 cm (54 1/2 × 32 3/4 in.); Warp repeat: H.: 89.9 cm (35 3/8 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The tightrope walker's delicate balance on one foot.
The intricate patterns on the spectators' clothing.
The tiny dog in the lower right, looking up at the show.
The architectural details of the building behind the crowd.
1 more detail is waiting.
See all 5 in Art Whisper →Favre-Petitpierre et cie
French textile firm that turned cotton yardage into narrative art, printing Homer and Napoleon onto your curtains.
Further Works by cie
Le Bain d'Amour (Love Bath) (Furnishing Fabric)
1820 · Art Institute of Chicago
"Venus à sa Toilette"
1770 · The Metropolitan Museum of Art
"Battle between the Héros and the Superb"
1778 · The Metropolitan Museum of Art
"La Maison Brulante"
1780 · The Metropolitan Museum of Art
"Le Port de Cherbourg"
1781 · The Metropolitan Museum of Art
"Panurge dans l'île des lanternes"
1781 · The Metropolitan Museum of Art
"Le Combat de la Motte-Picquet à la Martinique"
1783 · The Metropolitan Museum of Art
La Foire du Caire (The Cairo Fair)
1785 · The Metropolitan Museum of Art
More works to explore
Beyond cie: works from the same years.
Same era · 1760s–1790s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1760s–1790s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1760s–1790s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1760s–1790s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1760s–1790s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1760s–1790s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1760s–1790s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1760s–1790s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1760s–1790s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
