“This detailed wood engraving depicts Jacob's hurried escape from Laban with his family and flocks, capturing the biblical narrative with a powerful sense of movement and scale.”
This dramatic wood engraving captures a pivotal moment from the Book of Genesis: Jacob's clandestine departure from his father-in-law Laban. The scene pulses with a sense of urgency and escape. We see Jacob, his wives, children, and all their possessions, including vast flocks of sheep and goats, making their hurried exodus across a rugged landscape. The composition emphasizes the sheer scale of their journey, with animals and figures stretching into the distance, suggesting the vastness of the desert they traverse. The dense cross-hatching and varied line work, characteristic of wood engraving, create rich textures in the animals' wool and the rocky terrain, enhancing the feeling of a tangible, arduous journey. It’s a powerful illustration, meant to evoke the biblical narrative with vivid detail and emotional weight.
- Artist
- Thomas Dalziel
- Date
- 1865
- Medium
- Wood engraving on India paper, mounted on thin card
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 4 5/8 × 7 3/16 in. (11.7 × 18.2 cm) Image: 4 3/16 × 6 7/8 in. (10.7 × 17.5 cm) India sheet: 11 3/16 × 8 11/16 in. (28.4 × 22 cm) Mount: 16 3/8 in. × 12 15/16 in. (41.6 × 32.9 cm)
- Collection
- Drawings and Prints
- Credit line
- Anonymous Gift, 1926
What to Notice
Five details hide in plain sight. Here’s where to look.

Look at the sheer number of animals, stretching far into the background.
Notice the varied textures created by the engraving lines, especially in the sheep's wool.
Find Jacob and his family, leading the procession on the left side.
Observe the expressions of the figures; do they seem relieved or anxious?
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Jacob and the Flocks of Laban–Jacob's Departure from Laban, from "Dalziels' Bible Gallery" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Dalziel
Isaac Meeting Rebekah–Esau Selling His Birthright, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
The Departure of the Israelites–Destruction of Pharoah and His Host, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
The Water Turned Into Blood–The Boils and Blanes, from "Dalziels' Bible Gallery"
1865 · The Metropolitan Museum of Art
More works to explore
Beyond Dalziel: works from the same years.
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Jesus Mocked by the Soldiers
Édouard Manet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Valley of the Bedford
William Hart · 1865 · Fogg Museum
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
